“Teenager Teenager”, an installation by the collaborative Chinese artists Sun Yuan and Peng Yu, at the exhibition “Crazy. Madness in contemporary art” in Rome on February 18, 2022. (Photo by Gloria Imbrogno/LiveMedia/Rex Features/Shutterstock)

A Nepalese army solder stand next to a horse during the “Ghodejatra” Horse Race festival, which is organised by the Nepal Army, in Kathmandu, Nepal, April 7, 2016. Ghode Jatra, the horse racing festival of Nepal, celebrated on the New Moon day of mid March or early April is among the important celebrations of the Kathmandu Valley. Grand horse parade including various acrobatic style of shows are performed by Nepal military at Tundikhel-a fenced parade ground located in the heart of Kathmandu city. (Photo by Navesh Chitrakar/Reuters)

Organizers of an exhibition of ancient instruments of torture in Huai'an, Jiangsu province, have suggested that children, heart disease patients and people with high blood pressure stay away because of the vivid depictions of shocking cruelty. The exhibition has more than 200 instruments of torture on display in the 50,000-square-meter exhibition halls of a restored ancient building. Wax figures, along with sound and light techniques, are incorporated for scary effect. The local government said the exhibition is for tourists and historians to research ancient torture practices. (Photo by ChinaFotoPress)

A photographer is using a unique method to show the shift from day to night across famous cities in spectacular images. Daniel Marker-Moors' take on time-lapse photography – which he calls time slice – sees the photographer snap image after image, before combining them to create beautiful, vibrant works. His images usually focus on a point in the day with the most dramatic change in light, such as sunrise or sunset. Marker-Moors, from Los Angeles, begins by shooting hundreds and sometimes thousands of images from the same spot. Here: Chicago – 35 photographs, 15 minutes. (Photo by Daniel Marker-Moors/Caters News)

In this December 22, 2015, photo, Rayani Air flight crews prays before departure at Kuala Lumpur International Airport 2 in Sepang, Malaysia. Malaysia's Rayani Air took to the skies over the weekend with a clear bailiwick. It is the country's first Islamic airline, offering flights that adhere to Islamic rules including prayers, no-alcohol, no-pork meals, and a strict dress code for Muslim female flight attendants. (Photo by Joshua Paul/AP Photo)

A demonstrator waves Turkey's national flag as he sits on a monument during a protest against Turkey's Prime Minister Tayyip Erdogan and his ruling AK Party in central Ankara June 2, 2013. Erdogan accused Turkey's main secular opposition party on Sunday of stirring a wave of anti-government protests, as tens of thousands regrouped in Istanbul and Ankara after a lull and trouble flared again in the capital. Police used tear gas on protesters in Ankara but the clashes were relatively minor compared with major violence in Turkey's biggest cities on the previous two days. (Photo by Umit Bektas/Reuters)

Gers, traditional Mongolian tents, are seen on a hill in an area known as a ger district in Ulan Bator June 26, 2013. Approximately 60 percent of the population of Ulan Bator live in settlements known as ger districts and in many cases residents have limited access to basic services such as water and sanitation. According to a 2010 National Population Center census, every year between thirty and forty thousand people migrate from the countryside to the capital Ulan Bator. Ger districts in the city have been expanding rapidly in recent years. Mongolia is the world's least densely populated country, with 2.8 million people spread across an area around three times the size of France. (Photo by Carlos Barria/Reuters)

“Eye of a toad”. Animal Portraits, Łukasz Bożycki, Poland. Early spring sees a pond near Łukasz’s home city of Warsaw, Poland, full of mating frogs and a few toads. On this March day, Łukasz shared the pond with them for an evening, sitting in the icy water in his chest-high waders, keeping as still as possible, despite the numbing cold, so that the amphibians could get used to him. “I wanted to find a fresh way of portraying the amphibians”, he says, “at water level”. Using a telephoto lens, he focused on one lone toad and waited for the sun to dip almost below the horizon before pressing the shutter, using flash to bring out the details in the shadow. His prize was “the glorious pool of sunset colour” and fiery glow of the toad’s eye. Nikon D80 + 70-300mm f4.5-5.6 lens + extension tube; 1/125 sec at f9 (-2.3 e/v); ISO 100; built-in flash. (Photo by Łukasz Bożycki)