A woman sits in a train at a subway station in Pyongyang, North Korea on September 11, 2018. (Photo by Danish Siddiqui/Reuters)

Paramilitary policemen carry tyres as they take part in a training session in Zhangye, Gansu Province, China, March 1, 2016. (Photo by Reuters/Stringer)

Commonwealth dance group on the right track with Virgin Trains – Photo call at Glasgow Central Station. (Photo by Daily Record)

In this November 18, 2014 photo, Murshida, 12, sits on the lap of her mother Marjina as the train leaves for their village in West Bengal, at a railway station in New Delhi, India. Six months ago, Marjina stepped off a train in New Delhi with her two children, hoping to find a better life after her husband abandoned them without so much as a goodbye. The family spent their days at a landfill picking through other people’s garbage to find salvageable bits to resell or recycle. After six months of poverty, illness and shame, they returned to that train station in New Delhi, headed back to an uncertain future to their hometown in West Bengal. (Photo by Altaf Qadri/AP Photo)

A policer officer hits a man with a baton as he tries to maintain order while migrants wait for trains at a temporary camp near Gevgelija, Macedonia, September 7, 2015. Several thousand migrants in Macedonia boarded trains on Sunday to travel north after spending a night in a provisional camp. Macedonia has organised trains twice a day to the north border where migrants cross into Serbia to make their way to Hungary. Since June, Macedonian authorities have said that more than 60,000 migrants have entered the country, and around 1,500 entered just in one day, mainly refugees from Syria. (Photo by Stoyan Nenov/Reuters)

In his book “Side Effects”, aerial photographer Kacper Kowalski took to the skies to paint a portrait of the complex relationship between humans and nature. From the sky, he captured where nature and civilization collide into aesthetic, abstract colors and shapes. Photo: A view over fields of grain in Spring chamomile, cornflower and other weeds growing amongst the grain sprouts. (Photo by Kacper Kowalski/Panos Pictures)

The Slauerhoffbrug (English: Slauerhoff Bridge) is a fully automatic bascule bridge (aka tail bridge) in the city of Leeuwarden in the Netherlands. It uses two arms to swing a section of road in and out of place within the road itself. It is also known as the “Slauerhoffbrug ‘Flying’ Drawbridge”. A tail bridge can quickly and efficiently be raised and lowered from one pylon (instead of hinges). This quickly allows water traffic to pass while only briefly stalling road traffic. The deck is 15 m by 15 m. It is painted in yellow and blue, representative of Leeuwarden's flag and seal.