A staff member of Sony Computer Entertainment tries out PlayStation 4's virtual reality headset Project Morpheus at its booth in Tokyo Game Show 2014 in Makuhari, east of Tokyo September 18, 2014. (Photo by Yuya Shino/Reuters)

Students from Vida Nueva School present their dinosaur robot built with recycled materials during the annual robotics fair supported by the Bolivian Education Ministry in La Paz, August 10, 2015. (Photo by David Mercado/Reuters)

A dancer sanitizes the pole before performing on the outside patio at Cheerleaders Gentlemen's Club in Gloucester City, New Jersey, U.S. July 17, 2020. (Photo by Rachel Wisniewski/Reuters)

Belly dancer Nagwa Fouad sailing on the river Nile, 1972. Egypt is one of 23 countries represented at the Dubai Photo Exhibition, showing off photography that dates to the 1920s. Dubai Photo Exhibition is in various venues of Dubai’s design district from 16-19 March. (Photo by Farouk Ibrahim)

Barbara Peacock is one of five recipients of the Getty Images annual Grants for Editorial Photography programme, which gives photojournalists an award of $10,000 as well as the agency’s support in pursuing projects of their choosing. American Bedroom is an ongoing series of portraits in which she explores the complexities and idiosyncrasies of contemporary American life. Here: Jessica, Milford, New Hampshire: “Sometimes life throws you in all sorts of directions. The most important part about life is to remember you are exactly where you need to be”. (Photo by Barbara Peacock/Recipient of the Getty Images Grant for Editorial Photography 2017)

A campaign model demonstrates crazy eyes glasses during the International Tokyo Toy Show 2016 in Tokyo, Japan, 09 June 2016. The trade show opens to the general public on 11 and 12 June. (Photo by Christopher Jue/EPA)

For her series “Dolce Vita in Hell”, Swiss photojournalist Stéphanie Buret headed to Eritrea and found a country struggling to haul itself out of oppression – but with its art deco buildings still looking stunning. (Photo by Stéphanie Buret/The Guardian)

In the works of a photographer named Dave – who goes by Freaktography and never gives out his full name – haunting abandonment leaps from images of discarded machinery, tools and factory essentials. (Photo by Freaktography/Caters News Agency)