“The Reversible Destiny Lofts – Mitaka (In Memory of Helen Keller) is a nine-unit multiple dwelling. It was first completed example of procedural architecture put to residential use. These lofts reflexively articulate the residents’ operative tendencies and coordinating skills essential to and determinative of human thought and behavior; which means to say, the lofts manage, by virtue of how they are constructed, to reveal to their residents the ins and outs of what makes a person, in this case the resident. This is the same set of tendencies and skills to which Arakawa and Madeline Gins gave diagrammatic form in their decades-long research project The Mechanism of Meaning”. – Wikipedia

Photo: The exterior of the concept design home “Reversible Destiny Lofts MITAKA: In Memory of Helen Keller” is seen on October 27, 2005 in Tokyo, Japan. (Photo by Koichi Kamoshida/Getty Images)

A Hezbollah supporter fires a rocket-propelled grenade in the air to celebrate the arrival of Iranian fuel tankers to Lebanon, in the eastern town of Baalbek, Lebanon, Thursday, September 16, 2021. The delivery violates US sanctions imposed on Tehran after former President Donald Trump pulled America out of a nuclear deal between Iran and world powers three years ago. (Photo by Bilal Hussein/AP Photo)

This dyed straw is grown in Ban Dong Saen Suk, Sakon Nakhon province, Thailand on September 28, 2021. Sarawut Intharap, 38, an engineer who capture the image, said: “The straw is entwined together to make mats used for sleeping and eating and they are sold at around £2.50 (3.40 USD) a mat at the local market”. (Photo by Sarawut Intarob/Solent News)

An Iranian woman wearing a face mask walks on a street in Tehran, Iran, 19 October 2020. According to the Iranian Health ministry, Iran reported its highest daily COVID-19 death toll of 337 and 4,251 new infections in past 24 hours as it appears that Iran is in a third wave of COVID-19 outbreak. (Photo by Abedin Taherkenareh/EPA/EFE)

A three-metre-tall painted bronze sculpture, Seated Man 2016, by the artist Sean Henry, is lifted into its new home on July 23, 2019 at Yorkshire Sculpture Park in Wakefield, England. (Photo by Christopher Thomond/The Guardian)

“Environmental Migrants: The Last Illusion” by photographer Alessandro Grassani, documents the life of people in Kenya, Mongolia and Bangladesh who migrate to escape environmental stresses to the city of their own countries in hopes for a better life. Here: Asia, Mongolia, March 27, 2011. A view of Ulaan Baator over the shoulder of a slumbering drunk. Alcoholism is a huge problem in the city, home to almost half of Mongolia's people. The capital's population has doubled in the past two years. High levels of unemployment and poverty await herders who abandon rural areas and arrive in the city, illiterate and untrained in any skills necessary for urban jobs. (Photo by Alessandro Grassani)

Using digital editing, designer Anton Repponen places Manhattan buildings in desolate landscapes, “inviting viewers to see them as if for the first time”. Here: 8 Spruce Street/New York By Gehry. Photo by Anton Repponen/The Guardian)

People cross the street in central Pyongyang, North Korea May 4, 2016. (Photo by Damir Sagolj/Reuters)