In this Friday, March 28, 2014 photo, singers of the Moranbong Band, Jong Su Hyang, foreground, and Pak Mi Kyong, left perform on their stage in Pyongyang, North Korea. Step aside, Sea of Blood Opera. North Korean leader Kim Jong Un's favorite guitar-slinging, miniskirt-sporting girl group, the Moranbong Band, is back. And these ladies know how to shimmy. (Photo by Jon Chol Jin/AP Photo)

Zurich soccer player Loris Benito tries to catch a marten during the Swiss Super League match between FC Thun and FC Zurich in Thun, Switzerland, March 10, 2013. (Photo by Marcel Bieri/Keystone)

A young arab boy, armed with a rifle and a knife, in the Aden Protectorate near Yemen. (Photo by Richards/Fox Photos/Getty Images). February 1938

British sailors taking shore leave on the British dependency of Gibraltar visit the Suiza Bar to watch a Spanish dancer perform on August 05, 1954. These Spanish entertainers are under contract and must return over the border by 11 o'clock. (Photo by Bert Hardy/Getty Images)

Public Space series, 2015. This series by Morteza Niknahad and Behnam Zakeri tends toward cinema, taking an almost cartoonish view of modern life in Iran. This work was inspired by the social life of dolphins. (Photo by Morteza Niknahad and Behnam Zakeri/The Guardian)

Radio City Music Hall Rockettes perform after days of rehearsal and routine polished to perfection at the Radio City Music Hall in New York City on July 26, 1949. (Photo by Ivan Dmitri/Getty Images)

Princess Diana relaxes on the sand during a visit to the beach on the Caribbean Island of Nevis January 4, 1993. (Photo by Mark Cardwell/Reuters)

Randy Scott Slavin's photography is surrealism based in reality. His work portrays land and cityscapes in a 360 degree view, a perspective closer to that of the human eye than a 2D photograph, he says. Slavin's "Alternate Perspectives" is a series of photographs of a single location or landmark pieced together to create a 360 degree perspective in a flat image. The results are whimsical, and occasionally eerie, scenes that reflect the portion and scale of Slavin's surroundings when he took the photo.