“Tilt-shift photography” refers to the use of camera movements on small- and medium-format cameras, and sometimes specifically refers to the use of tilt for selective focus, often for simulating a miniature scene. Sometimes the term is used when the shallow depth of field is simulated with digital post processing; the name may derive from the tilt-shift lens normally required when the effect is produced optically.

“The advent of digital cameras and smartphones killed the traditional mall portrait studio, but 3-D printing has sparked a new trend. Overloaded with digital photos, statues may be moving in to fulfill our desire for portraits that stand out”. – Peter Svensson via The Associated Press. (Photo by Julie Jacobson/AP Photo)

In this photo taken in October 1917, provided by Russian State Documentary Film and Photo Archive, a machine gunner looks through a window at his position near the Kremlin in Moscow, Russia. The 1917 Bolshevik Revolution was long before the digital revolution allowed anyone to instantly document events. But the clumsy cameras of the time still caught some images that capture the period's drama. (Photo by Russian State Documentary Film and Photo Archive via AP Photo)

Novice DSLR (Digital single-lens reflex camera), 2nd Place. “Smile of a Friend”, American Crocodile (Crocodylus acutus) in Jucaro, Cuba. (Photo by Antonio Pastrana/The Ocean Art 2018 Underwater Photography Competition)

Moroccan photographer and filmmaker Achraf Baznani carries on the traditions of Surrealism with his wild, imaginative, and wholly impractical imagery. Among his inventive scenarios, small human figures—often the artist himself—appear trapped within glass jars or the size of a camera lens; in other works, Baznani more or less dissects his body, as for example, in one, he cleanly removes his brain from his cranium, or in another, twists off his hand, much as if it were a light bulb. Imparted throughout such works are strong senses of humor and wonder, and as such, Baznani’s art offers a Surrealistic take on life experience in the digital age.

Most people know Nikon as a purveyor of pro and consumer-grade digital cameras. But the company's expertise with optics bleeds over into related markets – it's one of the science community's major suppliers of microscopes. And each year the company asks the community to send it some of their favorite images of tiny objects. A panel of scientists and journalists have chosen the best of this past year's submissions, which Nikon has placed on its Small World site.

Photo: Honorable Mention. “Snow crystal, illuminated with colored lights (5x)”. (Photo by Dr. Kenneth Libbrecht, California Institute of Technology (Caltech), Department of Physics, Pasadena, California, USA)

Do tears of joy look the same as ones of woe—or ones from chopping onions? In “The Topography of Tears,” the Los Angeles-based photographer Rose-Lynn Fisher explores the physical terrain of one hundred tears emitted during a range of emotional states and physical reactions. Using a Zeiss microscope with an attached digital camera, she captures the composition of tears enclosed in glass slides, magnified between 10x and 40x. “There are many factors that determine the look of each tear image, including the viscosity of the tear, the chemistry of the weeper, the settings of the microscope, and the way I process the images afterwards,” she says.

The Lumix GX1 single lens reflex (SLR) camera with 14-42 mm powerzoom lens is displayed at the Panasonic booth at the 2012 International Consumer Electronics Show at the Las Vegas Convention Center January 10, 2012 in Las Vegas, Nevada. The new camera comes with an external viewfinder and flash and an ISO up to 12,800. The camera as shown sells for USD 949; the camera body alone is USD 799. (Photo by Ethan Miller/Getty Images)