“As a photographer, peregrinator and naturalist, I have been searching for the ultimate unworldly world. I've always been drawn to unusual travel destinations. For me, to lose myself in a different culture is a great way to find balance in my life...”. – Li Xinzhao. (Photo by Li Xinzhao)

A Kurdish female fighter from the People's Protection Units (YPG) gestures as she carries her weapon near al-Hawl area where fighting between Islamic State fighters and fighters from Democratic Forces of Syria are taking place in south-eastern city of Hasaka, Syria November 10, 2015. (Photo by Rodi Said/Reuters)

A Taliban fighter jumps into the vehicle after praying at Deh Bori square in Kabul, Afghanistan on October 18, 2021. (Photo by Zohra Bensemra/Reuters)

A “Free Syrian Army” fighter in the Bustan Pasha neighborhood of Aleppo, Syria, August 21, 2013. (Photo by James Lawler Duggan)

Rougine, a 19-year-old female Arab fighter among the Syrian Democratic Forces, made up of US-backed Kurdish and Arab fighters, stands in fatigues embracing another colleague near the village of al-Torshan, 20 km on the outskirts of Raqa on February 6, 2017. (Photo by Delil Souleiman/AFP Photo)

The Zelda Project is a Los Angeles, CA based group of friends who seek to bring to life the characters, settings, and overall feel of Ocarina of Time through photography and film. Our ultimate goal is to create the characters as they would appear in reality to the best of our abilities, placing them in beautiful sceneries true to their Hyrulean counterparts, and creating elaborate photosets utilizing art ranging from costuming to 3D CGI.

Kirsty Mitchell is a former fashion designer who worked under both Alexander McQueen and Hussein Chalayan as a student. However, she found her ultimate calling in photography. Her imaginative series 'Wonderland' takes you to alternate worlds where umbrellas drip with lavenders, backs sprout wings and limbs get lost in tree branches

The French graphic designer and photographer uses a method he calls “digital matte painting”, layering several photos on top of each other to create an incandescent composition that seems eerily familiar yet ultimately impossible. Filled with tumbling clouds and glowing focal points, the images possess a depth that stretches the two-dimensional canvases backward as violent skies seem to undulate before the viewers' eyes.