Pakistani Christian Maria Akbar, 15, checks herself in the mirror, after having her make up done by hairdresser Razia Rehmat, 39, in preparation for Christmas holiday, at a hair salon, in a slum that hosts Christian families, on the outskirts of Islamabad, Pakistan, Wednesday, December 24, 2014. (Photo by Muhammed Muheisen/AP Photo)

Moroccan photographer and filmmaker Achraf Baznani carries on the traditions of Surrealism with his wild, imaginative, and wholly impractical imagery. Among his inventive scenarios, small human figures—often the artist himself—appear trapped within glass jars or the size of a camera lens; in other works, Baznani more or less dissects his body, as for example, in one, he cleanly removes his brain from his cranium, or in another, twists off his hand, much as if it were a light bulb. Imparted throughout such works are strong senses of humor and wonder, and as such, Baznani’s art offers a Surrealistic take on life experience in the digital age.

At the beginning of the 20th century, Edward S. Curtis set out to document what he saw as a disappearing race: the Native American. From 1907 to 1930, Curtis took more than 2,000 photos of 80 tribes stretching from the Great Plains to the Pacific Northwest and Alaska. He then published and sold these photos, along with narrative text, in 20 volumes of work known as “The North American Indian”. It is one of the most significant collections of its kind, “probably the most important photographic document of its age and its topic,” said Jeffrey Garrett, associate university librarian for Special Libraries at Northwestern University. (Photo by Edward S. Curtis)

A gold miner observes from the distance how some women miners work at an open-pit gold mine in Nyarugusu, Geita Region, Tanzania on May 27, 2022. Tanzania is a land rich in minerals and one of the main gold producers in Africa, with gold representing more than 90% of the country's mineral exports. Artisanal and small-scale gold mining have culturally and historically relegated women's participation. The extractive sector in Tanzania has historically been a male-dominated industry with high levels of harassment, sеxual abuse, discrimination and misconceptions over women's involvement, and contributions following traditional beliefs. (Photo by Luis Tato/AFP Photo)

People try to board an overcrowded passenger train as they travel home to celebrate Eid al-Fitr festival, which marks the end of the Muslim holy fasting month of Ramadan, at a railway station in Dhaka, Bangladesh, July 5, 2016. (Photo by Adnan Abidi/Reuters)

Children wearing uniforms hold toy guns during a military parade game on China's National Day, at Beyou World, a centre children where can experience different kinds of professions, in Beijing, October 1, 2015. (Photo by Reuters/Stringer)

Greyhounds compete during a race at Santiago city, March 8, 2014. With over 100 years of history, greyhound racing attracts people mainly from rural areas of Santiago every weekend. Some dogs come from Argentina, the United States and Ireland and can develop a speed of up to 80 kilometers per hour on a straight running track of about 200 meters, according to organisers. Bets range from $2 to $1,000 per race, offering a livelihood for breeders and gamblers. (Photo by Ivan Alvarado/Reuters)

Born in 1958 in Kiev, Ukraine, artist Mark Khaisman studied Art and Architecture at the Moscow Architectural Institute in Russia. Now living in Philadelphia, USA, Khaisman uses rolls of brown packaging tape to create incredible works of art. Mark characterizes his work as ‘pictorial illusions formed by light and shadow’. The three key elements are: translucent packing tape, clear acrylic or film panels, and light. By superimposing layers of packaging tape Mark can ‘play on degrees of opacity that produces transparencies highlighted by the color, shading, and embossment’.