Photographer Logan Zillmer took this photo of the harvest moon above a corn field as part of his “Traveler” series on Flickr. (Photo by Logan Zillmer)

Hedi Xandt imagines impressive sculptures. Mixing styles and materials with talent, the artist invites us to discover his dark and intense universe.

The November 2018 Square Print Sale, presented by Magnum Photos and Aperture, brings together over 100 images to explore perspectives on transition and transformation in photography. Here: New York City, 1965, by Joel Meyerowitz. “A girl on a Vespa on her way to who knows where, when the light stopped her at the 72nd street crossing near the Dakota, where John Lennon would one day cross paths with his fate. She takes this moment to finesse a fingernail before she resumes her downtown journey, while I, stopping at the same crossing, but on foot, leap into the street to capture this vision of a dream girl before time takes her on her way”. (Photo by Joel Meyerowitz/Courtesy Aperture)

It's often said that pets and their owners can start to look alike, but these adorable photographs take the old mantra to a new extreme. They are the work of Svetlana Valyiskaya (27), from St Petersburg, who snaps pets in everyday poses in her spare time from her job as a commercial photographer. The vibrant costumes and scenes, which Svetlana designs herself, have made the photos a hit in her native Russia – and it's not hard to see why. She said: “I really love animals, they are loyal, faithful and true and always interesting to work with – plus they never criticise the photographs afterwards”. (Photo by Svetlana Valyiskaya/Mercury)

The annual Antarctic photography exhibition, which is part of Hobart’s Antarctica festival is back on with its chilly, majestic imagery. The winner this year is Sydney’s Sam Edmonds with his striking photo of a gentoo penguin in the snow. Here: Casey Station 2017. (Photo by Chris J. Wilson/The Guardian)

Photographer David Emitt Adams creates tintypes on discarded cans he collects from the Sonoran Desert. In his artist statement, Adams says that some are more than four decades old, which have earned a deep reddish-brown, rusty coloration. (Photo by David Emitt Adams)