A woman looks towards part of an artwork called “Lichen! Libido! (London!) Chastity!” by Anthea Hamilton, one of the four artists shortlisted for the Turner Prize 2016, as it is displayed at the Tate Britain gallery in London, Monday, September 26, 2016. The Turner Prize aims to promote public debate around new developments in contemporary British art. (Photo by Kirsty Wigglesworth/AP Photo)

Miss Earth 2016 candidates wearing environmental statement sashes lineup during a press presentation in Manila, Philippines, 11 October 2016. Eighty three young women from around the globe converged in Manila for the international beauty event. Miss Earth is a pioneering beauty pageant that serves as a vehicle for environmental advocacy. (Photo by Mark R. Cristino/EPA)

Giant panda Mei Xiang discovers a birthday cake meant for her cub Bei Bei (NP) who turns one at the Smithsonian National Zoo in Washington, DC on August 20, 2016. (Photo by Linda Davidson/The Washington Post)

Children residents take a selfie as they wait for the police to dance, an unconventional approach to connect the police with the community in rough neighbourhoods, as part of the “Tirando Barrio” (Marking territory) programme in Saltillo, Northern Mexico September 9, 2016. T-Shirt reads “Street Dancers”. (Photo by Daniel Becerril/Reuters)

Participants wearing costumes take part in the West Indian Day Parade in the Brooklyn borough of New York September 1, 2014. The parade, which draws a crowd of a million plus, celebrates Caribbean culture. (Photo by Eric Thayer/Reuters)

The Royal Castle is seen a veil of heavy winter smog in Budapest, Hungary on January 30, 2017. (Photo by Laszlo Balogh/Reuters)

The moon rising above the Forth Rail Bridge in The Firth of Forth from North Queensferry, England on July 16, 2019. (Photo by South West News Service)

The “Paolo Di Paolo: Lost World” exhibition presents more than 250 largely unseen images from the photographer’s archive. Di Paolo chronicled life in his country as an economic boom followed the destruction of the second world war. Although those were the years of la dolce vita he was an anti-paparazzo – he shunned the salacious and respected his subjects. The exhibition is at MAXXI, the National Museum of 21st Century Arts in Rome until 30 June. Here: Viareggio in 1959. (Photo by Paolo Di Paolo/National Museum of 21st Century Arts)