Leaves and forest foliage claim abandoned motors at makeshift car graveyards. German photographer Dieter Klein travels the world to find vintage automobiles left to rust in leafy forests and fields. Here: Seemingly camouflaged cars are stacked on top of each other causing them to blend in with the landscape, in 2013, France. (Photo by Dieter Klein/Barcroft Media)

A month-old Tengmalm’s owl chick blends in with soft toys on August 8, 2024 at the Scottish Owl Centre in Whitburn, West Lothian. The chick is being raised by Trystan Williams, the centre’s head keeper, after losing its father and being abandoned by its mother. (Photo by Katielee Arrowsmith/South West News Service)

Actors wrapped in blankets react at the set of the post-apocalyptic movie “Zombie Era” at an abandoned factory complex in Langfang, Hebei province, China December 16, 2016. (Photo by Damir Sagolj/Reuters)

Giving out with a yell, Elke Sommer is tossed on the trampoline as she trains for her movie role as an athlete, on the playing field of the University of California at Los Angeles, June 8, 1967. (Photo by AP Photo)

After being shunned for years, American actress Demi Moore is back in horror movie The Substance, which has stunned viewers with its shocking blood, gore and nudity. (Photo by Interview Magazine's September 2024)

A collaboration between creative director Anna Burns and the photographer Thomas Brown. Through the use of various mediums the pair have curated an exhibition that explores the masculine world of B-Movies and juxtaposed it with the traditional British landscape. Using the themes of said movies – girls, guns and explosives – and twisting it against a very British backdrop these two challenge not only the premise of each subject but also the use of their chosen medias. The duo created a wall of umbrellas displaying elements of the classic B-Movie and located them within three landscapes – one being the forest, then London’s docklands and finally the grounds of Suffolk Manor house.

Models painted in camouflage colours to blend in with the background pose for Chinese artist Liu Bolin's artwork “Dongji”, or Winter Solstice, on the second day after China's capital Beijing issued its second ever “red alert” for air pollution, in Beijing, China, December 20, 2015. In this artwork, Liu wants to express his concerns about China and its people, including air pollution problem, Liu told Reuters. (Photo by Kim Kyung-Hoon/Reuters)

A visitor takes pictures with a smartphone of an artwork entitled “Blue Europe, 2015” by Chinese artist Liu Bolin, on display during the exhibition “Visible Invisible” at the Mudec Museum in Milan on May 14, 2019. Liu Bolin known as “the invisible man” for his photographic self-portraits, focused on a body-painting blending with the surrounding area. (Photo by Miguel Medina/AFP Photo)