Model Bar Refaeli arrives at amfAR's Cinema Against AIDS 2007 at Le Moulin de Mougins on May 23, 2007 in Mougins, France. The amfAR Foundation raises funds for research, education and treatment of AIDS/HIV worldwide.

In this March 18, 2015 photo, Andrea, better known as Loira, which is the Portuguese word for “blonde”, poses for a portrait in an open-air crack cocaine market, known as a “cracolandia” or crackland where users can buy crack, and smoke it in plain sight, day or night, in Rio de Janeiro, Brazil. Andrea says she is married and has a home, but she keeps returning to crackland to feed her addiction. (Photo by Felipe Dana/AP Photo)

Untitled. (Photo by Lee Jeffries). P.S. The person in the photo – poured-out our yard keeper Volodya (it has no surnames, therefore it's simple – Volodya). It too the homeless, and too the good person (it's visible according to eyes). Looks after stray dogs and cats, every day feeds crowd of pigeons in a yard... I am on friendly terms with it. =) (Forgive please me for bad English – Translate.ru very much tried to inform to you my scanty thought).

A portrait of Eric Abidal of Lyon prior to the UEFA Champions League Group D match between Olympique Lyonnais and Manchester United at the Municipal de Garland Stadium on September 15, 2004 in Lyon, France.

Many of the 12 million people who entered the US through New York’s Ellis Island wore traditional dress from their homelands. Here: A Ruthenian woman circa 1906 from the region historically inhabiting the kingdom of the Rus, incorporating parts of modern-day Slavic speaking countries. Her outfit consists of a shirt and underskirt made from linen embroidered with traditional floral-based patterns. (Photo by Augustus Francis Sherman/New York Public Library/The Guardian)

Grand Rapids (Michigan) based illustrator and artist Scott Gundersen creates his portraits from thousands of used and recycled corks. Starting with a large photograph that’s transferred to a drawing, Gundersen pins each cork to the canvas, creating a correlation between the hues of the wine-stained corks and the value of light or shadow in the portrait. Scott Gundersen has made these incredible portraits, one using 3,621, 3,842 and the other using 9,217 natural wine corks.