Photographer Pol Kurucz’s vivid collection of photos explores issues faced by black Brazilian women, from political misrepresentation to unrealistic beauty standards. Kolor Collective is a Rio de Janeiro-based creative group that challenges the struggle faced by black women in Brazil through theatrical and provocative art. It was founded in 2015 by Franco-Hungarian photographer Pol Kurucz, who often touches on his own experiences of discrimination to call out sensitive social problems. (Photo by Kolor Art Collective/The Guardian)

Members of the Black Hebrews community celebrate the Shavuot harvest festival on June, 19, 2011 in Dimona, Israel. The community, who call themselves the African Hebrew Israelites of Jerusalem, moved to Israel in 1969 from the United States and have since maintained a vibrant culture which includes a communal lifestyle and a vegan diet. They are not recognized as Jews by Israel despite their belief in the Torah, but were granted permanent resident status in 2003. (Photo by Uriel Sinai/Getty Images)

A driver steers a lorry laden with bags of plastic bottles across a recycling yard at the outskirts of Beijing, China, August 19, 2016. As authorities try to control Beijing's burgeoning population and capitalize on skyrocketing land prices, scrap collectors say they are being pushed out despite playing a vital role in China's unique recycling ecosystem. (Photo by Thomas Peter/Reuters)

An African migrant stranded in Costa Rica bathes at a makeshift camp at the border between Costa Rica and Nicaragua, in Penas Blancas, Costa Rica, July 14, 2016. Thousands of African migrants are currently stranded in Costa Rica after they were denied entry into neighbouring Nicaragua, which they have been using as a crossing point in order to reach the United States. According to the Costa Rican Red Cross, most of these people from Africa, Asia and Haiti. It has been reported that many of them paid smugglers to reach Central America. However, when they arrived at the border gates, they were denied entry and were left with nowhere to go. (Photo by Juan Carlos Ulate/Reuters)

A man stands next to the body of a migrant child washed up on a beach in Canakkale's Bademli district on January 30, 2016 after at least 37 migrants drowned when their boat sank in the Aegean Sea while trying to cross from Turkey to Greece, Turkey's state-run Anatolia news agency reported. The migrants, who included those from Myanmar, Afghanistan and Syria, set sail from the Canakkale province to reach the nearby Greek island of Lesbos, Anatolia said. (Photo by Ozan Kose/AFP Photo)

In this March 21, 2015 photo, 15-year-old Guerline Augustin carries river water on her head, back to a borderland encampment outside the southeast Haitian town of Anse-a-Pitres, Haiti. The encampment is filled with people who either fled or were forcibly removed from the neighboring Dominican Republic amid an immigration crackdown. Within the next month, authorities hope to move nearly 2,400 people out of six encampments by providing subsidies for them to rent homes for a year in southeastern Haiti. The International Organization for Migration is coordinating the effort with $2 million from a U.N. emergency fund. (Photo by David McFadden/AP Photo)

There’s an innate relationship between children and the animal kingdom. Our children sing songs about animals, the have toy animals, they have books about animals and they dream about animals. Capturing this unique connection is Indonesian artist Elicia Edijanto, who depicts small, vulnerable children alongside creatures of the wild like elephants, wolves and bears. Created in stark black and white imagery, and using only watercolors, Edijanto creates dreamlike-scenes that are both tranquil and contemplative.

Audrey Hepburn cooking at home, 1954. Colorized by Dana Keller.