In an extraordinary act of devotion to his art, sculptural artist Spencer Byles spent a year creating beautiful sculptures out of natural and found materials throughout the unmanaged forests of La Colle Sur Loup (where he lived with his family), Villeneuve Loubet and Mougins. He worked together with elements of his natural surroundings to create artwork that blends seamlessly with the environment.

A fisherman is seen standing on a cliff edge at Cape Bank in La Perouse on February 20, 2011 in Sydney, Australia. The practice of fishing from rock platforms, cliffs and rocky outcrops is notoriously dangerous with many anglers per year being washed into the ocean by dangerous surf or unexpected large waves. Angling is often reported as the sport having the highest mortality rate on average due to fishermen drowning with rocking fishing contributing to a high number of these deaths. (Photo by Mark Kolbe/Getty Images)

The “Paolo Di Paolo: Lost World” exhibition presents more than 250 largely unseen images from the photographer’s archive. Di Paolo chronicled life in his country as an economic boom followed the destruction of the second world war. Although those were the years of la dolce vita he was an anti-paparazzo – he shunned the salacious and respected his subjects. The exhibition is at MAXXI, the National Museum of 21st Century Arts in Rome until 30 June. Here: Viareggio in 1959. (Photo by Paolo Di Paolo/National Museum of 21st Century Arts)

A bull rams inmates seated at a card table in the Convict Poker event at the Angola Prison Rodeo in Angola, La., Saturday, April 26, 2014. Those competing in the rodeo have to pass a physical to be deemed strong and healthy enough, and thousands of others work year-round making arts and crafts to sell at the event, according to the prison's athletic director. (Photo by Gerald Herbert/AP Photo)

“Do-Ho Suh addresses issues of identity, memory, and relationships. Son of the famous Korean ink-painter Suh Se-Ok, Do-Ho Suh is a leading figure in the transnational avant-garde generation of Korean artists who came of age in the late 1990s, and his work eloquently represents a dual consciousness between East and West”.

Photo: “Karma” by Do-Ho Suh. Sydney and Walda Besthoff Sculpture Garden, New Orleans Museum of Art, New Orleans, LA. (Photo by Alan Teo)

In this February 5, 2014 photo, Divaldo Aguiar, who plays the part of Pachencho, is carried in a mock coffin during the Burial of Pachencho celebration, through a cemetery in Santiago de Las Vegas, Cuba. Cuban villagers stage a mock funeral and burial of Pachencho, with a living man playing the part of Pachencho, in a boozy festival that has become an annual tradition in this small town near Havana, held each February 5 for the last 30 years. (Photo by Enric Marti/AP Photo)

A woman is helped with adorning her hair with jewelry, part of the traditional clothing known as “Pollera”, before the annual Thousand Polleras parade in Las Tablas, in the province of Los Santos January 10, 2015. According to local residents, the Pollera dates back to the 18th century and was worn by the Spanish lower classes. Today, it has become the Panamanian national costume. The dress is made entirely by hand and the jewellery worn is pure gold and worth thousands of dollars. (Photo by Carlos Jasso/Reuters)