Participant wearing medieval costumes perform during an annual re-enactment of a battle near the village of Libusin, Czech Republic, April 23, 2016. About 2000 enthusiasts have come to simulate the medieval battle during the 24rd annual swordsmen gathering in Libusin village. (Photo by David W. Cerny/Reuters)

Amateur Iranian photographer Mohammad Reza Domiri Ganji, 23 likes to learn as much as he can about a site before he photographs it. Then he utilizes a variety of wide-angle and fisheye lenses, as well as occasional panoramic techniques to create beautiful new, often mind-bending images. He usually shoots the architectural wonders of Iran, and hopes that the Iranian government will allow him to travel further from home in pursuit of other iconic architectural treasures. Photo: The Nasir al-mulk or “Pink” mosque in Shiraz, Iran. (Photo by Mohammad Reza Domiri Ganj)

“Life in War” (FotoEvidence Press) by Iranian photographer Majid Saeedi is probably the only book about Afghanistan that doesn’t show images of war. For ten years his camera photographed daily life in the context of war. His photographs reveal the humanity of a people living through decades of war. Here: Afghan men escape increasing summer temperatures by wading in the Qarga reservoir on July 9, 2010 in a suburb of Kabul, Afghanistan. (Photo by Majid Saeedi/Getty Images)

Few people haven’t heard about the ancient city of Persepolis, which lies at the foot of the Mountain of Mercy (Kuh-I-Rahmat). In ancient times, Persepolis was the capital of the Achaemenid Empire. Regretfully, it was burned by the Greeks in 330 BC after they looted the immense treasure of this city. It is said that Greeks needed 5,000 camels and 20,000 mules to carry all the treasures from Persepolis. The only thing of Persepolis that has survived the wear of time is the ginormous stone terrace 530 by 330 meters adorned by elaborate stone sculptures. It is amazing how intricately detailed some of the sculptures are, despite the fact that they were created many centuries ago.

People are often fascinated by things that baffle them. For example, Livia Marin creates porcelain pottery that looks as if it has partially melted. This pottery might serve little purpose, yet it is definitely a curious thing to have in your house. This set of pictures shows off her “Nomad Patterns” series of deformed vases, pitchers, and teacups. The most appealing thing about these pieces of art is that the patterns on the “melted” parts are as beautiful as on the rest of the pottery. (Photo by Livia Marin)

The pictures made by Elizabeth Gadd are so beautiful, tranquil, and mesmerizing, that they wash over your soul in a wave of sadness. The same sadness that you feel when hearing a wonderful piece of music. The same sadness that enters your soul when you worry to death about your loved one, but everything turns out to be just fine. These aren’t just pictures… The pieces of art that Elizabeth, a 21-year-old self-taught photographer makes, are windows into fairytales; portals into other dimensions. Works so surreal, that it makes you wonder if the scenes that you are seeing were actually shot on this planet; that they are not figments of Beth’s imagination. (Photo by Elizabeth Gadd)

If you were to meet this guy in the woods, especially if it’s nighttime, you’d probably think that it’s a local troll or a yeti. However, in reality, he’s no yeti. His name is Mick Dodge, and before deciding to live in the woods, he was a marine for six years at Fort Lewis. It is hard to tell what moved him to leave the busy life of the city and start living in the Hoh Rain Forest. It could have been that he decided the leave the stressful life of the city, or maybe he simply loves the solitary life of a hermit. Another thing that is peculiar about Mick Dodge is that most of the time he walks barefoot, hence the nickname “The Barefoot Sensei”.

“Grit and Glamour”, a retrospective of the late British photographer Elsbeth Juda, who fled Nazi occupation and came to England in 1933, is at the Jewish Museum, in London, until July 1, 2018. Here: Shelagh Wilson, Copacabana beach, Rio de Janeiro, 1951. (Photo by Elsbeth Juda Archive/Victoria and Albert Museum)