Typhoon Yolanda – also known as Haiyan – struck the central part of the country November 8, 2013, leaving at least 6,300 people dead and over four million displaced. A month after Typhoon Haiyan, the United Nations Population Fund estimates that 5,000 women were subjected to sеxual violence. A study by the Health and Human Rights online publication shows the majority of young girls and women in Manila’s sеx industry come from poverty-stricken areas – such as Leyte, Samar, Cebu and southern Mindanao – and enter trafficking through force, deception, economic desperation and psychological manipulation. (Photo by Hannah Reyes Morales/The Washington Post)

Horses are seen before they are evacuated from a ranch as a wildfire is burning along a hillside in Azusa, Calif., Monday, June 20, 2016. New wildfires erupted Monday near Los Angeles and chased people from their suburban homes as an intense heatwave stretching from the West Coast to New Mexico blistered the region. (Photo by Ringo H.W. Chiu/AP Photo)

Portuguese model and Victoria's Secret Angel Sara Sampaio arrives at the amfAR Gala Cannes 2018 at Hotel du Cap-Eden-Roc on May 17, 2018 in Cap d'Antibes, France. (Photo by Mike Marsland/Mike Marsland/WireImage)

“Actor and director Mel Gibson has pleaded no contest to a “misdemeanour” battery charge after a fight with then-girlfriend Oksana Grigorieva in 2010. Gibson, 55, was placed on probation for 36 months and ordered to attend a year of domestic violence counselling. The complaint accuses Gibson of “wilfully and unlawfully” using force and violence against Ms Grigorieva. A misdemeanour charge is generally considered a lesser criminal act than a felony charge in the US”. – BBC News

Photo: Oksana Grigorieva arrives at the premiere Of Warner Bros. “The Edge Of Darkness” held at Grauman's Chinese Theatre on January 26, 2010 in Los Angeles, California. (Photo by Kevin Winter/Getty Images)

Do tears of joy look the same as ones of woe—or ones from chopping onions? In “The Topography of Tears,” the Los Angeles-based photographer Rose-Lynn Fisher explores the physical terrain of one hundred tears emitted during a range of emotional states and physical reactions. Using a Zeiss microscope with an attached digital camera, she captures the composition of tears enclosed in glass slides, magnified between 10x and 40x. “There are many factors that determine the look of each tear image, including the viscosity of the tear, the chemistry of the weeper, the settings of the microscope, and the way I process the images afterwards,” she says.

A Santa Claus taking a selfie on a surfboard is seen in the yard of a home in the Sleepy Hollow area of Torrance, California, United States, December 15, 2015. In many neighborhoods of Los Angeles, homeowners compete for the most lavish and creative holiday light displays. Torrance's Sleepy Hollow is one such neighborhood where every home outdoes the next: surfing Santas, life-size nativity scenes, ferris wheels, and giant inflatable snowmen line the lawns on every street. (Photo by Lucy Nicholson/Reuters)

A woman wears roller skates with lights on the bottom at Rich City Skate in Richton Park, Illinois, January 12, 2015. A handful of decades-old skating venues put Chicago at the center of a vibrant African-American subculture of urban roller skate dancing that stretches from Atlanta to Detroit and from Los Angeles to New York. While mainstream roller skating has been on a long decline, a new generation of skaters travel a circuit of rinks around the country to compete and show off their moves. (Photo by Jim Young/Reuters)

“Potholes” is a series of photographs depicting the concave street cracks and holes as a collection of imaginative tableaux in the city. Captured within the backdrops of New York City, Los Angeles, Toronto and Montreal, the sets explore the urban flaws as a playground creating a multitude of uses out of the potholes. Directly engaging the street and the city, the highly imaginative series transforms the bad into good, creating a tongue-in-cheek collection that is at once contextual and surreal”. (Photo and caption by Davide Luciano)