Volunteers throw a mixture of water, neem herb and turmeric as an alleged natural disinfectant on a street in a residential area during a government-imposed nationwide lockdown as a preventive measure against the COVID-19 coronavirus, in Chennai on April 7, 2020. (Photo by Arun Sankar/AFP Photo)

Watercolorist Shin Jong Sik is famous for expressing clean, transparent colors and his still life paintings express colorful, dignified and deep feeling. Taking flowers, dishes and hemp cloth as materials, he does not compose as they are seen but recomposes with new ideas.

A man holds an idol of Hindu God Ganesha before immersing it in the Bay of Bengal during Ganesh Chaturthi festival in Chennai, India, Sunday, September 20, 2015. The festival marks the birth of Ganesha who is widely worshiped by Hindus as the god of wisdom, prosperity and good fortune. (Photo by Arun Sankar K./AP Photo)

Hindu devotees, their bodies pierced with lemon and paladai, or bowl with a spout mainly used to feed milk to infants, wait to participate in a procession to mark Shivratri, or the night of Shiva, in Chennai, India, Wednesday, February 18, 2015. Such processions are held as an offering and show of devotion by devotees on the day dedicated to the worship of Lord Shiva, the Hindu god of destruction. (Photo by Arun Sankar K./AP Photo)

A worker walks through a salt pan on the eve of May Day or Labour Day on the outskirts of the southern Indian city of Chennai April 30, 2014. India is the third largest salt producing country in the world after China and U.S. with global annual production about 230 million tonnes, according to government data. (Photo by Reuters/Babu)

Prince Philip, Duke of Edinburgh practicing his bicycle polo technique, Windsor Great Park, Berkshire, 1964. (Photo by Norman Potter/Daily Express/Hulton Archive/Getty Images)

A collaboration between creative director Anna Burns and the photographer Thomas Brown. Through the use of various mediums the pair have curated an exhibition that explores the masculine world of B-Movies and juxtaposed it with the traditional British landscape. Using the themes of said movies – girls, guns and explosives – and twisting it against a very British backdrop these two challenge not only the premise of each subject but also the use of their chosen medias. The duo created a wall of umbrellas displaying elements of the classic B-Movie and located them within three landscapes – one being the forest, then London’s docklands and finally the grounds of Suffolk Manor house.

Actors wrapped in blankets react at the set of the post-apocalyptic movie “Zombie Era” at an abandoned factory complex in Langfang, Hebei province, China December 16, 2016. (Photo by Damir Sagolj/Reuters)