Alison Brie and Betty Gilpin host in the Netflix comedy-drama“Glow” Season 1 TV Series, 2017. (Photo by Erica Parise/Netflix/Kobal/Rex Features/Shutterstock)
Radio City Music Hall Rockettes perform after days of rehearsal and routine polished to perfection at the Radio City Music Hall in New York City on July 26, 1949. (Photo by Ivan Dmitri/Getty Images)
In this aerial view the officers' building and an auditorium stand at the former Soviet military base on January 26, 2017 in Wuensdorf, Germany. Wuensdorf, once called “The Forbidden City”, was the biggest base for the Soviet armed forces in communist East Germany from 1945 until the last Soviet troops left in the early 1990s following the end of the Cold War and the reunification of Germany. (Photo by Sean Gallup/Getty Images)
Russian pop art photographer Sergey Chilikov captures a nation liberated from the social oppression of late-era Soviet rule – at parties, in the streets, and bouncing high. His exhibition, Photoprovocations, will be at Photo London, 19-22 May. Here: Yoshkar-Ola, Matrosova Street (1995). (Photo by Sergey Chilikov)
The Euro sculpture is partially reflected in a puddle on a cobblestone pavement in front of the headquarters of the European Central Bank in Frankfurt on Jan. 21. (Kai Pfaffenbach/Reuters)
An idol of Hindu goddess Durga floats in water as devotees immerse the same in the River Kuakhai after the Durga Puja festival in Bhubaneswar, India, Saturday, October 24, 2015. The immersion of idols marks the end of the festival that commemorates the slaying of a demon king by lion-riding, 10-armed goddess Durga, marking the triumph of good over evil. (Photo by Biswaranjan Rout/AP Photo)
In northwest Russia, in a small village called Alekhovshchina, Nadia Sablin's aunts spend the warmer months together in the family home and live as the family has always lived, chopping wood to heat the house and making their own clothes. Sablin's book of photographs, “Aunties: The Seven Summers of Alevtina and Ludmila”, is published by Duke University Press. Here: “Two-Handed Saw, 2014”. (Photo by Nadia Sablin)