Fishermen pull up a live 2.5 metre crocodile in their net in the Western Amazon region, Brazil on September 20, 2017. The fishermen were fishing for a large river fish called Arapaima but sometimes crocodiles become stuck in the nets as well. (Photo by Carl de Souza/AFP Photo)

In this Saturday, Oct. 24, 2015 photo, a Lebanese Shiite supporter of Hezbollah with a tattoo on his head that reads in Arabic, “Oh Ali”, beats his chest during the holy day of Ashoura, in the southern suburb of Beirut, Lebanon. A growing number of Shiite Muslims in Lebanon are getting tattoos with religious and other Shiite symbols since the civil war in neighboring Syria broke out five years ago, fanning sectarian flames across the region. (Photo by Hassan Ammar/AP Photo)

Members of a newly-formed “Siberian Battalion” within the Ukrainian Armed Forces take part in a military training exercise outside Kyiv on October 24, 2023, amid the Russian invasion of Ukraine. A newly formed “Siberian Battalion” as part of the International Legion within the Ukrainian Armed Forces is made up of Russians who have come to fight against their fellow citizens. They were a varied group-both ethnic Russians with long-standing opposition views and members of minority ethnic groups. (Photo by Genya Savilov/AFP Photo)

English-Albanian singer Dua Lipa performs her “Radical Optimism Tour” at Rod Laver Arena on March 23, 2025 in Melbourne, Australia. (Photo by Naomi Rahim/Getty Images)

Matteo Pugliese was born in Milan in 1969. In 1978 his family moved to Sardinia and lived there for the next 12 years. During this time he developed a strong love for drawing and sculpture and practiced without formal education. After finishing his secondary school studies in classics in Cagliari, he returned to Milan to attend university. In 1995 he was awarded his degree in modern literature at the University of Milan with a graduation thesis on art criticism.

An elephant bull charges a female hippopotamus as her calf scampers to safety, in Erindi Private Game Reserve in Windhoek, Namibia. (Photo by Rian van Schalkwyk/Barcroft Media)

For France, the trauma of the Algerian War (1954-1962) was not unlike the experience of the Vietnam War for the United States. But, unlike the conflict in Vietnam, few photographic documents exist from that period in Algeria: it is as if the French responded with collective amnesia. Marc Garanger’s Algerian Women is one of the few photographic essays dedicated to that painful period... Photo: A 1960 photograph of an Algerian woman in a French regroupment village. (Photo by Marc Garanger)