Emily Ratajkowski attends the 2017 Weinstein Company and Netflix Golden Globes after party on January 8, 2017 in Los Angeles, California. (Photo by Broadimage/Rex Features/Shutterstock)

On Keo Wa, 25, carries her 9-month-old baby while working at a banana plantation operated by a Chinese company in the province of Bokeo in Laos April 24, 2017. (Photo by Jorge Silva/Reuters)

Free runners “3run” take advantage of O2's empty Slough HQ on the company's flexible working day on February 8, 2012 in Slough, England. (Photo by Ian Gavan/Getty Images for O2)

A worker puts up an advertising billboard for a recruiting company, featuring what resembles US President Donald Trump, in Zagreb, Croatia, Saturday, November 7, 2020. (Photo by Darko Bandic/AP Photo)

Dancers from the Motionhouse company surprised London, United Kingdom passersby on September 5, 2021 with a preview of “Nobody”, which has its premiere at Sadler’s Wells on September 22. (Photo by Vicki Couchman/The Times)

Employees wear "No-Face" masks during working hours at a service company in Handan, Hebei Province of China. As a service company, staff must smile to customers every day. On “No-Face Day”, staff wore masks to hide their facial expressions and allow them to relax. No-Face is a character in the 2001 animated movie “Spirited Away”, a silent masked creature who has no facial expressions.

Moroccan photographer and filmmaker Achraf Baznani carries on the traditions of Surrealism with his wild, imaginative, and wholly impractical imagery. Among his inventive scenarios, small human figures—often the artist himself—appear trapped within glass jars or the size of a camera lens; in other works, Baznani more or less dissects his body, as for example, in one, he cleanly removes his brain from his cranium, or in another, twists off his hand, much as if it were a light bulb. Imparted throughout such works are strong senses of humor and wonder, and as such, Baznani’s art offers a Surrealistic take on life experience in the digital age.