An Economic Freedom Fighters supporter shows a mock weapons during a demonstration in Pretoria on April 12, 2017 calling for South African President Jacob Zuma to resign. Tens of thousand demonstrators took part in the march to Union Buildings, the official seat of government, which was organised on Zuma's 75th birthday and came after nationwide rallies against the president last week. Zuma's recent sacking of respected finance minister Pravin Gordhan has fanned years of public anger over government corruption scandals, record unemployment and slowing economic growth. (Photo by Marco Longari/AFP Photo)

Like a scene from a fantasy movie, a dilapidated room that appears to have been literally ripped out of a building remains suspended in mid air above Nantes, France. Its walls were torn apart, revealing bricks below the plaster, and wood floors reveal the joists inside. The floating room is accessible via a ladder. The gravity defying surreal installation is the work of Argentinean artist Leandro Erlich. The large-scale piece, called “Monte-meubles – L’ultime déménagement” (literally - The Furniture Lift – The Ultimate Moving Out), was created for the biannual Le Voyage a Nantes, an art festival which turns the entire French city into an art gallery.

KidZania provides children and their parents a safe, unique, and very realistic educational environment that allows kids between the ages of four to twelve to do what comes naturally to them: role-playing by mimicking traditionally adult activities. As in the real world, children perform “jobs” and are either paid for their work (as a fireman, doctor, police officer, journalist, shopkeeper, etc.) or pay to shop or to be entertained. The indoor theme park is a city built to scale for children, complete with buildings, paved streets, vehicles, a functioning economy, and recognizable destinations in the form of “establishments” sponsored and branded by leading multi-national and local brands.

Nobumichi Asai has used projection mapping to put CGI onto cars, docks, building and more. What is his latest canvas? A real, live human face! Asai used Omote, a combination of real-time face tracking and projection mapping to transform a model's face into mesmerizing patterns. It's called “electronic makeup”, but as you will see in the (creepy-ish) video, it goes much, much beyond anything makeup can possibly do.

Bex Hetherington exhibits a T-shirt at the Edinburgh College of Art degree show on June 8, 2011 in Edinburgh, Scotland. Students work will be exhibited across the campus buildings turning Edinburgh College of Art into the city's biggest gallery space. The work ranges from conceptual to commercial with inspirational influences as diverse and wide ranging as fashion photography, volcanoes, the crazy lady who put a cat in a bin, fairytales, the star system and serial killers. (Photo by Jeff J Mitchell/Getty Images)

Visitors to Salisbury Cathedral stop to look at Sean Henry's sculpture Standing Man (2007) currently being exhibited in the Cloisters on August 2, 2011 in Salisbury, United Kingdom. The exhibition, “Conflux: A Union of the Sacred and the Anonymous”, features over 20 contemporary sculptures of dramatically different scales occupying vacant plinths and open spaces on both the inside and exterior of the iconic 13th century building. This exhibition brings to the Cathedral the biggest single group of polychrome sculpture since the Reformation and runs until the end of October. (Photo by Matt Cardy/Getty Images)

Scaffolding holding a remnant of the Soviet Union, the hammer and sickle, is seen on a rooftop of an abandoned building in the town of Pripyat on January 25, 2006 near Chernobyl, Ukraine. The town of Pripyat, deserted since the 1986 catastrophe, once housed 30,000 people, the majority of being workers from the Chernobyl Nuclear Power Plant. Days after the catastrophe the inhabitants were relocated to other locations in the Soviet Union. The town of Pripyat has remained uninhabited since. Prypyat and the surrounding area will not be safe for human habitation for several centuries. Scientists estimate that the most dangerous radioactive elements will take up to 900 years to decay sufficiently to render the area safe.