A man takes a picture by the burning mayor’s office in Almaty, Kazakhstan on January 5, 2022. Protests are spreading across Kazakhstan over the rising fuel prices; protesters broke into the Almaty mayor’s office and set it on fire. (Photo by Yerlan Dzhumayev/TASS)

Women wearing kimono and protective masks make their way to Coming of Age Day celebration ceremony, amid the coronavirus disease (COVID-19) outbreak, in Tokyo, Japan, January 10, 2022. (Photo by Kim Kyung-Hoon/Reuters)

2021 Miss Universe Harnaaz Sandhu from India struggles to keep her crown on in the wind, as she arrives on the observation level of the Empire State Building in the Manhattan borough of New York City, New York, U.S. January 12, 2022. (Photo by Carlo Allegri/Reuters)

The Patrouille Suisse jets perform prior to the Men's Downhill race at the Fis Alpine Skiing World Cup in Wengen, Switzerland, 15 January 2022. (Photo by Jean-Christophe Bott/EPA/EFE)

Keep your eyes peeled: A Chinese teenager slipped and stabbed himself in the face with a 7cm knife while peeling an apple. Ren Hanzhi's father recalled: “He was walking to the sofa while peeling the apple. Suddenly he slipped down and his face hit onto the sharp knife. I dared not pull out the knife as my son was screaming”. The nearest hospital referred the 13-year-old to a larger unit. Chief surgeon Peng Liwei, who operated to remove the knife, commented: “It's shocking. The knife, which is more than 20cm long, penetrated 7cm into his face. The surgery was successful and the patient could recover fully in around a month”. (Photo by Rex Features)

Richard Silver's photographs show us the world's biggest sights like Machu Picchu in Peru or Copacabana in Brazil. His photos, however, are not simply depictions of the landmarks but planned, artistic visual constructions that, with their playful combinations of sharpness and blur, create new worlds of experience. Photo: Coliseum, Rome. (Photo by Richard Silver)

“Woman with Umbrella in Rain” by Raimund von Stillfried. Artist: Kusakabe Kimbei (Japanese, 1841–1934), 1870s. Commercial photography studios in Meiji-era Japan were renowned for the subtlety and refinement of their coloring techniques. This hand-tinted image of a young woman caught in a heavy rainstorm achieved its naturalistic effect by knitting together multiple strands of artifice: the greenery in the foreground was a studio prop; the flaps of the kimono were suspended by thin wires to create the impression of a strong wind; and long, diagonal marks were made on the negative to suggest streaks of rain. (Photo courtesy of The Metropolitan Museum of Art)

The Imperial Russian Ballet members wait to perform Tchaikovsky's “Swan Lake” at Arena hall in central Bosnian town of Zenica December 7, 2014. (Photo by Dado Ruvic/Reuters)