Children riding on donkeys queue to fill their jerrycans with water from a cistern at a make-shift camp for the internally displaced in Yemen's northern Hajjah province on July 12, 2021, amidst an extreme heat wave and severe water shortage. (Photo by Essa Ahmed/AFP Photo)

Armed Yemeni children sit in the back of a pick up truck with fighters loyal to Yemen's Saudi-backed President Abedrabbo Mansour Hadi in the Dar saad neighbourhood of the southern Yemeni city of Aden on May 10, 2015, as they continue to battle Shiite Huthi rebels. (Photo by Saleh Al-Obeidi/AFP Photo)

A tribal fighter loyal to Yemen's government stands in Al Khurais village of Nihm district east of the capital Sanaa January 11, 2016. (Photo by Ali Owidha/Reuters)

Women walk past a pile of rubbish bags on a street during a strike by garbage collectors demanding delayed salaries in Sanaa, Yemen May 8, 2017. (Photo by Khaled Abdullah/Reuters)

The Eastern City Gate apartment buildings complex stands in the Konjarnik neighbourhood in Belgrade, Serbia, July 30, 2019. Brutalism, an architectural style popular in the 1950s and 1960s, based on crude, block-like forms cast from concrete was popular throughout the eastern bloc. (Photo by Marko Djurica/Reuters)

Noriaki Iwashima gestures as he lies in a coffin to try it out during an end-of-life seminar held by Japan's largest retailer Aeon Co in Tokyo October 24, 2014. Funeral arrangements are normally left to those who have been left behind but the latest trend in Japan, which literally translates to “End of life” preparations, is for the ageing to prepare their own funerals and graves before they set off on their journey to the great beyond. With a population that is expected to shrink by nearly 30 million people over the next 50 years, the market for funerals, graves and anything related to the afterlife is still very much alive. (Photo by Toru Hanai/Reuters)

Female Afghan National Police (ANP) officers aim their weapons during a drill at a training centre near the German Bundeswehr army camp Marmal in Mazar-e-Sharif, northern Afghanistan on December 11, 2012. (Photo by Fabrizio Bensch/Reuters/File Photo)

“Woman with Umbrella in Rain” by Raimund von Stillfried. Artist: Kusakabe Kimbei (Japanese, 1841–1934), 1870s. Commercial photography studios in Meiji-era Japan were renowned for the subtlety and refinement of their coloring techniques. This hand-tinted image of a young woman caught in a heavy rainstorm achieved its naturalistic effect by knitting together multiple strands of artifice: the greenery in the foreground was a studio prop; the flaps of the kimono were suspended by thin wires to create the impression of a strong wind; and long, diagonal marks were made on the negative to suggest streaks of rain. (Photo courtesy of The Metropolitan Museum of Art)