A cosplayer uses moving stairs during the first public day of the world's largest computer games fair Gamescom in Cologne, Germany August 23, 2017. (Photo by Wolfgang Rattay/Reuters)

Films that are being screened are advertised in a makeshift cinema located under a bridge in the old quarters of Delhi, India May 25, 2016. A makeshift cinema hall under a 140-year-old bridge in the Indian capital is allowing poor rickshaw pullers and migrant labourers to escape daily hardship and sweltering heat into a world of Bollywood song, dance and romance. With the rusty iron floor of the bridge as its ceiling and some old rags acquired on the cheap from a nearby crematorium serving as curtains and floor mats, the cinema shows four films a day. (Photo by Cathal McNaughton/Reuters)

Handout grab taken from YouTube of Commander Chris Hadfield who has said goodbye to life on the International Space Station by making a cover version of David Bowie's Space Oddity. Issue date: Monday May 13, 2013. (Photo by Commander Chris Hadfield/YouTube/PA Wire)

A masked participant carries a burning matress during the ancient carnival of Zubieta, in the northern Spanish Navarra province on January 30, 2018. The yearly three day festivities, revolving mainly around agriculture and principally sheep hearding, run on the last Sunday, Monday and Tuesday of January where Navarra Valley locals from two villages dress up and participate in a variety of activites as they perform a pilgrimage through each village. (Photo by Ander Gillenea/AFP Photo)

The sun rises this morning behind the 173ft spire of St Mary's church in the market town of Whittlesey in Cambridgeshire, UK on February 17, 2024. The church dates from the 13th century with the Ashlar faced tower added in the 15th century. (Photo by Andrew McCaren/London News Pictures)

The Baby Nager dragon, from DreamWorks’ new “How to Train Your Dragon” Live Spectacular touring musical, shows off it’s colors outside of the New York Public Library. (Photo by Mark Von Holden)

French photographer and director Romain Laurent started making portrait-based GIFs as a way to produce work outside his commercial jobs, a spontaneous project that would encourage him to produce consistently for himself rather than clients.