Australian model Kate Fischer (Tziporah Malkah) poses with a Cointreau Ball to celebrate France’s founding anniversary in Sydney, Australia on July 14, 1996. (Photo by Getty Images)

A protester poses for a photo in front of a burning barricade in Barcelona, Spain on February 17, 2021 as a protest following the imprisonment of rapper “Pablo Hasel” convicted to jail for glorifying terrorism and insulting Spain's former king in lyrics turns into riots for a second night. (Photo by Matthias Oesterle/ZUMA Wire/Rex Features/Shutterstock)

Police detain a woman as people gather at a memorial site in Clapham Common Bandstand, following the kidnap and murder of Sarah Everard, in London, Britain on March 13, 2021. (Photo by Hannah McKay/Reuters)

Aide Choque, wearing a mask amid the COVID-19 pandemic, jumps with her skateboard during a youth talent show in La Paz, Bolivia, Wednesday, September 30, 2020. Young women called “Skates Imillas”, using the Aymara word for girl Imilla, use traditional Indigenous clothing as a statement of pride of their Indigenous culture while playing riding their skateboards. (Photo by Juan Karita/AP Photo)

A service member of the Ukrainian armed forces is seen at fighting positions on the line of separation from pro-Russian rebels in Donetsk region, Ukraine on April 10, 2021. (Photo by Oleksandr Klymenko/Reuters)

Revellers ride during the 54th annual brass band festival in the Serbian village of Guca August 7, 2014. Every year Guca is swamped by thousands of people taking part in the celebration of brass band music. (Photo by Marko Djurica/Reuters)

That's exactly what Vionnet's "Photo Opportunities" series does: takes hundreds of tourist photos of iconic landmarks, superimposes them into semi-transparency, and lets a dreamlike meta-image emerge.

Intrigued by photographing time, Singapore-based photographer Fong Qi Wei created single, composite pictures from a sequence of images spanning 2-4 hours. He concentrated on capturing sunrises and sunsets as they evolved over different landscapes, seascapes, and cityscapes. He then digitally stitched the images together to get a snapshot of time passing over the scene for his series “Time is a Dimension”. “Most paintings and photographs are an instance of time”, Wei explained in his artist’s statement. “That’s not the way the world works. We experience a sequence of time, and that’s why a video is somehow more compelling than a freeze frame”. (Photo by Fong Qi Wei/Thoughtful Photography)