A man takes a dip inside a chapel during celebrations of the Orthodox Christian feast of Epiphany in Saint Petersburg, Russia on January 19, 2020. (Photo by Anton Vaganov/Reuters)

Documenting the effects of climate change first hand over the past eight years, Camille Seaman fears we may be on the road to the last iceberg. Photographing the enormous frozen floats at both poles for the past eight years, the Californian adventurer has seen the receding ice shelves and experienced the changing warmer weather. Feeling that her intimate and emotional work documents a snapshot of history, Camille presents her series “The Last Iceberg” as a study of what she sees as the personality of each huge iceberg. Drawing parallels with the famous novel, “The Last of the Mohicans”, Camille, 42, wonders whether these unique, almost alien natural features will become a thing of the past or part of nature's renewal process. (Photo by Camille Seaman/Barcroft Media)

Spanish flamenco dancer Salome Ramirez performs in the show “Authentic Flamenco”, the show of the Teatro Real in Madrid, at the Sao Pedro theater in Sao Paulo, Brazil, 14 December 2022. After a successful tour in the United States and India, the show has arrived in the country of samba and carnivals, this time by the dancer Eduardo Guerrero and his work “Faro”. (Photo by Isaac Fontana/EPA/EFE/Rex Features/Shutterstock)

Six-month old female liliger cub Eva plays in snow with her mother Zita in the Zoo in Novosibirsk, Russia, Thursday, December 5, 2013. The cub's mother is Zita, a liger – half-lioness, half-tiger, and its father is a lion, Sam. (Photo by Ilnar Salakhiev/AP Photo)

Japanese hairdresser Megumi Takeichi cuts patterns into the hair of a camel ahead of the Bikaner Camel Festival in Bikaner in the western Indian state of Rajasthan on January 10, 2019. (Photo by Dinesh Gupta/AFP Photo)

Machu Picchu, Peru. A llama’s-eye view of the legendary Inca settlement at Machu Picchu, isolated high in the Peruvian Andes. (Photo by Jim Turner/National Geographic)

For her series “Dolce Vita in Hell”, Swiss photojournalist Stéphanie Buret headed to Eritrea and found a country struggling to haul itself out of oppression – but with its art deco buildings still looking stunning. (Photo by Stéphanie Buret/The Guardian)