A woman dressed in traditional costume smiles at the Royal Plaza, as interest for historical clothing rises within the country, in Bangkok, Thailand April 6, 2018. (Photo by Soe Zeya Tun/Reuters)

After their wedding ceremony, groom and bride, Nathan Mauger, Connie Young with family and friends, toast to the solar eclipse from the Rose Garden in Manito Park, Monday, August 21, 2017, in Spokane, Wash. (Photo by Colin Mulvany/The Spokesman-Review via AP Photo)

A Secret Service police officer wrestles a protester to the ground after she ran towards a motorcade on its way to the LA Convention Center where North and South American leaders are gathered for the ninth Summit of the Americas in Los Angeles, June 8, 2022. (Photo by Apu Gomes/AFP Photo)

French-Swiss street artist Saype poses as he works on his artwork on a floating barge over the Golden Horn in Istanbul, Turkey on October 23, 2020, as part of the “Beyond Walls” project to create a spray-painted “human chain” across the world to encourage humanity and equality. (Photo by Murad Sezer/Reuters)

“The knight and his steed”. This picture was taken in a natural but controlled environment. There are pictures that can not be done in nature or that would imply a very high cost of both time and money, thats why photography workshops are run conducted at strategic locations and bringing EVERYONE who is interested, the basic notions (lighting, camera handling, composition, etc...) or the specimens, and afford them the opportunity to take pictures like this. Although controlled, this shot was not prepared at all, I was performing a workshop with the agalychnis callidryas treefrog from Costa Rica when the frog managed to jump to the branch where this huge titan was sleeping... I had my gear ready so I only had to change a few settings and shoot... the rest is history. (Photo and caption by Nicolas Reusens Boden (Sweden)/2014 Sony World Photography Awards)

A tourist watches as the moon passing in front of the sun as it approaches a full solar eclipse in the northern Australian city of Cairns November 14, 2012. (Photo by Tim Wimborne/Reuters)

Magbola Alhadi, 20, and her three children pose for a portrait in Jamam refugee camp in Maban County, South Sudan on August 11th, 2012. Magboola and her family weathered aerial bombing raids for several months, but decided it was time to leave their village of Bofe the night that soldiers arrived and opened fire. With her three children, she travelled for 12 days from Bofe to the town of El Fudj, on the South Sudanese border. The most important thing that Magboola was able to bring with her is the saucepan she holds in this photograph. It wasn't the largest pot that she had in Bofe, but it was small enough she could travel with it, yet big enough to cook sorghum for herself and her three daughters (from left: Aduna Omar, 6, Halima Omar, 4, and Arfa Omar, 2) during their journey. (Photo by Brian Sokol/Panos Pictures)

For France, the trauma of the Algerian War (1954-1962) was not unlike the experience of the Vietnam War for the United States. But, unlike the conflict in Vietnam, few photographic documents exist from that period in Algeria: it is as if the French responded with collective amnesia. Marc Garanger’s Algerian Women is one of the few photographic essays dedicated to that painful period... Photo: A 1960 photograph of an Algerian woman in a French regroupment village. (Photo by Marc Garanger)