Wouldn’t it be wonderful if all weapons were created by Sonia Rentsch rather than by gunsmiths? In the series Harm Less, Sonia had constructed a number of firearms using various plants. Of course people might say that it’s not the guns that kill people; it’s the people that kill people. However, this statement is completely false. Can you imagine some equivalent of school shooting if the guns were not available? Yes, some crazy kid would still be able to bring a weapon to class, but most likely it would be a club or a penknife, making him easily tamable. (Photo by Sonia Rentsch)

In one of the best collaborations this blog has seen in ages, professional illustrator Mica Angela Hendricks has been collaborating with her 4-year-old daughter on a series of wonderful drawings that pass back and forther between mother and daugher until reaching an always unexpected final form. Each drawing begins with Hendricks drawing a detailed retro-ish head, after which her daughter snatches away the sketchbook to create rudimentary body (or animal!) parts as well as other random details. Afterward Hendricks goes back in to polish things up a bit and behold: dinosaur women, slug ladies, and beaver astronauts are born.

French sculptor Pierre Matter was born in 1964. “A mystical child, then a tormented teenager, he studied mathematics half-heartedly. It was only logical that he headed naturally, though initially in an erratic manner, for the mysterious universe of artistic creation. His slow progression in this field led him to try out many kinds of expression and material, from oil to gouache to ink, from comic strips to canvas, and also bas-relief in stone.”

The knitted sculpture “William Tell” by Patricia Waller sits in the “Broken Heroes” exhibition at the Deschler Gallery on April 26, 2012 in Berlin, Germany. The exhibition of hand-crocheted comic, puppet and cartoon figures shows icons of pop culture in various unfortunate states. (Photo by Adam Berry)

Moroccan photographer and filmmaker Achraf Baznani carries on the traditions of Surrealism with his wild, imaginative, and wholly impractical imagery. Among his inventive scenarios, small human figures—often the artist himself—appear trapped within glass jars or the size of a camera lens; in other works, Baznani more or less dissects his body, as for example, in one, he cleanly removes his brain from his cranium, or in another, twists off his hand, much as if it were a light bulb. Imparted throughout such works are strong senses of humor and wonder, and as such, Baznani’s art offers a Surrealistic take on life experience in the digital age.

Amateur Iranian photographer Mohammad Reza Domiri Ganji, 23 likes to learn as much as he can about a site before he photographs it. Then he utilizes a variety of wide-angle and fisheye lenses, as well as occasional panoramic techniques to create beautiful new, often mind-bending images. He usually shoots the architectural wonders of Iran, and hopes that the Iranian government will allow him to travel further from home in pursuit of other iconic architectural treasures. Photo: The Nasir al-mulk or “Pink” mosque in Shiraz, Iran. (Photo by Mohammad Reza Domiri Ganj)