The sun sets behind artist Luke Jerram's “Floating Earth” at Pennington Flash on November 22, 2021 in Wigan, England. The floating Earth will hover over Pennington Flash for 10 days from November 19, as part of a celebration of Wigan and Leigh's watercourses and is the first time one of Jerram's globes has been floated on an open expanse of water. (Photo by Christopher Furlong/Getty Images)

A runner dressed as Spiderman poses before the annual “Sao Silvestre Run”, an international race through the streets of Sao Paulo, Brazil on December 31, 2021. (Photo by Carla Carniel/Reuters)

A giant biodegradable landart painting entitled “Vers l'equilibre” (Towards balance) by French-Swiss artist Saype is pictured near the summit of the Grand Chamossaire mountain, above the alpine resort of Villars-sur-Ollon, Switzerland, Wednesday, July 06, 2022. Extending over an area of 2500 square meters, this fresco was created using biodegradable pigments made out of charcoal, chalk, water and milk proteins. (Photo by Valentin Flauraud/Keystone via AP Photo)

A woman steers her stand-up paddle board using an umbrella as a sail at Ladoga lake near the city of Olonets, 300 kilometers (186 miles) north-east of St. Petersburg, Russia, Friday, July 22, 2022. (Photo by Dmitri Lovetsky/AP Photo)

A double rainbow is seen above a woman holding an umbrella and selling snacks along the road in Siaya county, Kenya on May 3, 2020. (Photo by Thomas Mukoya/Reuters)

Migrants seeking asylum in the U.S., who returned to the Mexican side of the border to avoid deportation, play soccer in a makeshift migrant camp in Braulio Fernandez Ecological Park in Ciudad Acuna, Mexico, September 22, 2021. (Photo by Go Nakamura/Reuters)

After a cold night the small North Devon villages of Appledore and Instow wake up to an amazing scene as the sun rises over the River Torridge estuary, Devon, UK on October 19, 2018. (Photo by Terry Mathews/Alamy Live News)

The “Paolo Di Paolo: Lost World” exhibition presents more than 250 largely unseen images from the photographer’s archive. Di Paolo chronicled life in his country as an economic boom followed the destruction of the second world war. Although those were the years of la dolce vita he was an anti-paparazzo – he shunned the salacious and respected his subjects. The exhibition is at MAXXI, the National Museum of 21st Century Arts in Rome until 30 June. Here: Viareggio in 1959. (Photo by Paolo Di Paolo/National Museum of 21st Century Arts)