“I am not a photo reporter, so I don’t feel obligated to honour every detail. What I’m trying to achieve is to emphasize the whole potential of a shot, creating a sight that I'd like if existed.. And since it’s impossible in real life, I do it in virtual :) My work is maybe more similar to ‘photo-painting’ than photography”. – Katarina Stefanović

Photo: Pannonian spring fantasy. (Photo by by Katarina Stefanović)

The mystifying flow of motion. We can rarely appreciate its beauty. Though there are ways to capture it on film, allowing us to marvel at its complexity. Stephen Orlando is a photographer who takes pleasure highlighting the magnificence of aquatic sports by using the brilliance of light. The beauty of the images that he creates comes not only from the composition of the photo, but also from the way Stephen managed to show the color transitions between each stroke of the kayaker. Even the rapids do not stand in the way of the marvelous dance of light. (Photo by Stephen Orlando)

A not-so-famous photographer Robert Jahns can do impossible things with common photos. He takes two pictures and joins them into a single composition. Thanks to this creative idea, which is based on the combination of contrasts, ordinary photos become interesting and attractive. Jahns combines several pictures into one seamless scene. A leafless crown of the tree, layered onto deer antlers, creates a real and natural continuation of the deer`s head. Likewise, a rollercoaster with an overview of the city frightens us by being very realistic. (Photo by Robert Jahns A.K.A. Nois7)

Barking mad owners have proved they really do look like their pets – by performing impressions of their own dogs. In a series of hilarious “paw”-traits, owners pull their best faces to look like their pooches. Snapped by photographer Ines Opifanti, people stuck their tongues out, yawned and tilted their heads in curiosity at the camera. Opifanti, from Hamburg, Germany, came up with the idea while interacting with her own dogs, two pug/French bulldog crossbreeds. Here: Amina and Zazou the dog. (Photo by Ines Opifanti/Caters News)

Do tears of joy look the same as ones of woe—or ones from chopping onions? In “The Topography of Tears,” the Los Angeles-based photographer Rose-Lynn Fisher explores the physical terrain of one hundred tears emitted during a range of emotional states and physical reactions. Using a Zeiss microscope with an attached digital camera, she captures the composition of tears enclosed in glass slides, magnified between 10x and 40x. “There are many factors that determine the look of each tear image, including the viscosity of the tear, the chemistry of the weeper, the settings of the microscope, and the way I process the images afterwards,” she says.

Nobumichi Asai has used projection mapping to put CGI onto cars, docks, building and more. What is his latest canvas? A real, live human face! Asai used Omote, a combination of real-time face tracking and projection mapping to transform a model's face into mesmerizing patterns. It's called “electronic makeup”, but as you will see in the (creepy-ish) video, it goes much, much beyond anything makeup can possibly do.

“They're some of the most intriguing and complex creatures on the planet but they really do have nothing to hide – because theyre totally see-through. Transparent animals – creatures with clear glass-like skin – can be found all over the world but their very existence is still shrouded in mystery. The fascinating organisms verge on the invisible and their translucent skin often helps them elude predators”. – Caters News. Photo: Thornback Skate. (Photo by Ken Lucas/Caters News)