UK-based digital artist Dan Lester combines photography and illustration into clever and intriguing images that really make you question what you're looking at. Is it a photograph or a drawing? In actuality, it's both. The digital illustrator manages to bewilder his audience by merging the roles of model and artist into one entity in an innovative fashion. (Photo by Dan Lester)

Without bothering Jung and its "Puer aeternus" or Pascoli with its "Little Boy", we can certainly agree that, somewhere inside each of us, there's a young core, instinctive, creative but also innocent and naïve. What would happen if this intimate essence would be completely revealed?

Istanbul-based Ali Gulec is a graphic artist with a difference. His surreal illustrations are like identikit drawings aiming to prosecute the material arts. Working on the margins of what is possible with his medium, Gulec's forms, figures, and situations are remarkable for their clarity and strength of purpose, and maintain an iconographic intensity that would make any rock band bereft of an album cover salivate with admiration.

Neon sea creatures have been captured lighting up the ocean with their vibrant colors – in what looked like a scene from Avatar. Photographer Simon Pierce, 39, took the images over several months after visiting both Nosy Sakatia in Madagascar and Mafia Island in Tanzania recently. (Photo by Simon Pierce/Caters News Agency)

If you are interested, the Korean call this style Trot (ppongjjak); a very simple life story is told with three guitar chords – quite a typical situation for our planet. Long-legged dolls from LPG (by the way, “Lovely Pretty Girls” could be “Long Pretty Girls”) are certainly smiling, though it would have been more logical for them to cry their hearts out, but that's what the Korean are like; who has seen doramas, will understand.

A combination photo shows various popular street foods under $6 from various hawker food stalls and eateries in Singapore, taken between July 28 to 31, 2016. Top row (L to R) bak chor mee, soya sauce chicken; Middle row (L to R) laksa, hokkien mee, nasi lemak, ice kachang; Bottom row (L to R) rojak, roti prata and satay. (Photo by Edgar Su/Reuters)

While communism, collectivism, worms, dry rot and casual looting failed to destroy the majestic wooden churches of Russia, it may be ordinary neglect that finally does them in. Dwindled now to several hundred remaining examples, these glories of vernacular architecture lie scattered amid the vastness of the world’s largest country. Just over a decade ago, Richard Davies, a British architectural photographer, struck out on a mission to record the fragile and poetic structures. Austerely beautiful and haunting, “Wooden Churches: Traveling in the Russian North” (White Sea Publishing; $132) is the result. Covering thousands of miles, Mr. Davies described how he and the writer Matilda Moreton tracked down the survivors from among the thousands of onion-domed structures built after Prince Vladimir converted to Christianity in 988.