A pitch invader is seen on the pitch during the UEFA Euro 2020 Championship Group B match between Finland and Belgium at Saint Petersburg Stadium on June 21, 2021 in Saint Petersburg, Russia. (Photo by Kirill Kudryavtsev/Reuters)

Two scavengers collect plastics in the Citarum river in Bandung, West Java on March 28, 2023. (Photo by Timur Matahari/AFP Photo)

A staff member demonstrates how she puts on the helmet of a mock space suit at the C-Space Project Mars simulation base in the Gobi Desert outside Jinchang, Gansu Province, China, April 17, 2019. The facility – comprising several interconnected modules including a greenhouse and a mock decompression chamber – opened its doors to the public. (Photo by Thomas Peter/Reuters)

Team Spain performs during the finalsduring the Singapore 2025 World Aquatics Championships at World Aquatics Championships Arena on July 20, 2025 in Singapore. (Photo by Hollie Adams/Reuters)

A child yells, “I don't want go!” as a state employee attempts to remove her from another branch of the Orphanage of the Church of Bible Understanding, in the Kenscoff area outside Port-au-Prince, Haiti, Friday, February 14, 2020. (Photo by Dieu Nalio Chery/AP Photo)

Volunteers carry an idol of the Hindu elephant god Ganesh, the deity of prosperity, in a pond for its immersion during the ten-day-long Ganesh Chaturthi festival in Mumbai, India, September 18, 2015. During the festival, the idols will be taken through the streets in a procession accompanied by dancing and singing, and will be immersed in a river or the sea in accordance with the Hindu faith. (Photo by Shailesh Andrade/Reuters)

Hirari Ikeda, a well-known Harajuku street fashion personality, on the street in Shibuya. (Photo by Tokyo Fashion)

“Eye of a toad”. Animal Portraits, Łukasz Bożycki, Poland. Early spring sees a pond near Łukasz’s home city of Warsaw, Poland, full of mating frogs and a few toads. On this March day, Łukasz shared the pond with them for an evening, sitting in the icy water in his chest-high waders, keeping as still as possible, despite the numbing cold, so that the amphibians could get used to him. “I wanted to find a fresh way of portraying the amphibians”, he says, “at water level”. Using a telephoto lens, he focused on one lone toad and waited for the sun to dip almost below the horizon before pressing the shutter, using flash to bring out the details in the shadow. His prize was “the glorious pool of sunset colour” and fiery glow of the toad’s eye. Nikon D80 + 70-300mm f4.5-5.6 lens + extension tube; 1/125 sec at f9 (-2.3 e/v); ISO 100; built-in flash. (Photo by Łukasz Bożycki)