A man wearing a face mask as a precaution against the coronavirus, walks past in front of an advertisement of an opera performance outside of a theater in Seoul, South Korea, Wednesday, March 3, 2021. (Photo by Lee Jin-man/AP Photo)

Colombia supporters having fun during the FIFA Women's World Cup Australia & New Zealand 2023 Group H match between Germany and Colombia at Sydney Football Stadium on July 30, 2023 in Sydney, Australia. (Photo by Carl Recine/Reuters)

A tribesman loyal to the Houthi movement carries his rifle as he leaves a gathering held to show support for the group, in Yemen's capital Sanaa December 15, 2015. (Photo by Khaled Abdullah/Reuters)

Canadian painter Rob Gonsalves surrealistic paintings portrays two seemingly different realistic scenes magically merging into one. As a result, the term "Magic Realism" describes his work accurately.

A model presents creations by Japanese designer Ayano Ichige from the Autumn/Winter 2022 collection for the label “NON TOKYO” during the Tokyo Fashion Week in Tokyo, Japan, 14 March 2022. The presentation of the Autumn/Winter 2022 collections runs from 14 to 19 March. (Photo by Franck Robichon/EPA/EFE)

A grey heron is seen at the Sempione park, after Lombardy was downgraded from a red to an orange zone, loosening the coronavirus disease (COVID-19) restrictions including allowing non-essential shops to re-open, in Milan, Italy, April 13, 2021. (Photo by Flavio Lo Scalzo/Reuters)

A woman walks past as South Korean soldiers participate in an anti-chemical and anti-terror exercise as part of the 2023 Ulchi Freedom Shield (UFS) at subway station on August 22, 2023 in Seoul, South Korea. The 11-day exercise, which features drills including the handling of chemical and biological attacks, is a regular joint exercise between U.S. and South Korean troops. (Photo by Chung Sung-Jun/Getty Images)

A woman wearing a traditional Hanbok dress visits the Gyeongbokgung Palace grounds in Seoul on October 23, 2023. A woldae terrace for public rituals and ceremonies in front of Gyeongbok Palace’s Gwanghwamun gate was restored and opened to the public earlier this month, after being removed in 1923, during the 1910-45 Japanese colonial period. (Photo by Anthony Wallace/AFP Photo)