Most probably wouldnt think of snakes, spiders and lizards as beautiful animals – but these photographs could change some minds. The images show the reptiles seemingly playful sides, from a gleeful looking Budgetts frog, a cheeky leopard sticking out its tongue at the camera and a stack of four colourful iguanas. Contrasted against a white background and shot with a Canon EOS 5D Mark 2 and macro lens, photographer Mickael Leger really made sure they could be seen in all their glory. Here: Gecko. (Photo by Mickael Leger/Caters News)

“Life in War” (FotoEvidence Press) by Iranian photographer Majid Saeedi is probably the only book about Afghanistan that doesn’t show images of war. For ten years his camera photographed daily life in the context of war. His photographs reveal the humanity of a people living through decades of war. Here: Afghan men escape increasing summer temperatures by wading in the Qarga reservoir on July 9, 2010 in a suburb of Kabul, Afghanistan. (Photo by Majid Saeedi/Getty Images)

Moroccan photographer and filmmaker Achraf Baznani carries on the traditions of Surrealism with his wild, imaginative, and wholly impractical imagery. Among his inventive scenarios, small human figures—often the artist himself—appear trapped within glass jars or the size of a camera lens; in other works, Baznani more or less dissects his body, as for example, in one, he cleanly removes his brain from his cranium, or in another, twists off his hand, much as if it were a light bulb. Imparted throughout such works are strong senses of humor and wonder, and as such, Baznani’s art offers a Surrealistic take on life experience in the digital age.

“Two Brothers”. We found about 20 lions eating a buffalo. When the male leaved the group we anticipated him to take photos. It is 8AM, light is perfect and the position too. The lion stops and looks down from the hill, another lion is coming up, it stiffens, I think that will be a fight, i'm tense, the camera is OK, the shots previously made perfect. The two meet, looking directly into their eyes, they sniff, rub against their heads, the tension drops, they start walking with the same step as when they were puppies, they are two brothers. Photo location: Masai Mara, Kenya. (Photo and caption by Massimo Mei/National Geographic Photo Contest)

Wide-angle category winner. Part of the Illusion by Marcus Blatchford (UK). Location: National Dive & Activity Centre, Chepstow, Wales. “This is the deepest inland dive centre in the UK. The dive plan was to explore the deep end, but this time I dived ‘unplugged’ (without my strobes). With the exception of this change to my camera technique, there were no planned shots I wanted to achieve – just a fun dive with ad-hoc photos along the way. Shortly after this photo was captured, in 6C water and two hours of decompression ahead of us, we turned and started the long ascent back to the surface”. (Photo by Marcus Blatchford/Underwater Photographer of the Year 2016)

Aurorae category runner-up: Lone Tree under a Scandinavian Aurora by Tom Archer (UK). The photographer decided to explore the area around the hotel on a very crisp -35C evening in Finnish Lapland. When he found this tree, he decided to wait for the misty conditions to change and could not believe his luck when the sky cleared and the aurora came out in the perfect spot. Archer spent about an hour photographing it before his camera started to lock up because of the harsh conditions, but by then he was happy to call it a night. (Photo by Tom Archer/2020 Astronomy Photographer of the Year)

“Getting to see girls’ bedrooms must have been a teenage obsession for the members of the all-male photographic collective Riverboom. Now that they have more or less grown up, they have decided to transform that dream into a reality. Riverboom’s Gabriele Galimberti and Edoardo Delille are traveling the five continents to see where girls, between the ages of 18 and 30, sleep. They have discovered that girls’ bedrooms are much more then just places where they lay down their heads – they are the places where girls read, love, dream, work and play”. – Gabriele Galimberti. Photo: Katerinai, 27 – Athens, Greece. (Photo by Gabriele Galimberti/Riverboom Ltd)

Members of Japanese idol group Kamen Joshi (Masked Girls) pose for a photo after a rehearsal for a concert at their theatre in Tokyo's Akihabara district, Japan March 17, 2016. For countless girl and pop-idol bands in Japan, standing out from the crowd can be daunting, but one group – “Kamen Joshi” – seems to have found the answer by hiding behind masks. The Tokyo-based all female band has 18 members, split into three groups that perform across Japan and elsewhere in Asia. (Photo by Toru Hanai/Reuters)