View at one of the sculptures by Swiss artist H.R. Giger during the opening of the Ars Electronica 2013 exhibition “HR Giger. The Art of Biomechanics” in Linz, Austria, 04 September 2013. (Photo by EPA/RUBRA)

Storm chaser Brad Mack from Buena Park California videotapes a rotating supercell storm west of Newcastle, Texas April 9, 2013. Many of the storms in Tornado Alley that were forecast to be severe this week were taken out by a cold front from Canada. Picture taken April 9, 2013. (Photo by Gene Blevins/Reuters)

An operator adjusts a film projector during a wedding party in Bogor, Indonesia, February 18, 2017. Indonesian entrepreneur Kamaluddin loves the gritty look of old 35-millimeter film so much that he spends most of his nights screening vintage movies at weddings and parties around Jakarta, the capital. (Photo by Reuters/Beawiharta)

Employees wear "No-Face" masks during working hours at a service company in Handan, Hebei Province of China. As a service company, staff must smile to customers every day. On “No-Face Day”, staff wore masks to hide their facial expressions and allow them to relax. No-Face is a character in the 2001 animated movie “Spirited Away”, a silent masked creature who has no facial expressions.

The 37-year-old French artist Anne-Catherine Becker Echivard’s latest artworks were inspired by the silent movies of Charlie Chaplin and Buster Keaton; she uses real-life smelly fish heads as her models for some photos that depict everyday life to address topics.

A life-size interactive inflatable sculpture of Stonehenge called “Sacrilege 2012” by English contemporary artist Jeremy Deller on display as part of the “Inflation!” exhibition curated by Mobile M + on April 24, 2013 in Hong Kong. The inflatable artwork is one of six on display as part of the exhibition which is open from April 25, 2013 until June 9, 2013. (Photo by Jessica Hromas)

Born with a rare condition, the artist has chronicled her life in portraits – capturing everything from her tattooed prosthetics to the tentacled creature she stitched together on the shores of Naoshima. Here: Ophelia (2013). From a series of photos of imagined women exhibited at the 2013 Aichi Triennale. Here, Katayama invokes Hamlet’s tragic heroine, after the painting by British pre-Raphaelite John Everett Millais. (Photo by Mari Katayama/The Guardian)

This combination of April 15, 2013 and April 2, 2014 photos show a police officer clearing Boylston Street following a bomb blast near the finish line of the 2013 Boston Marathon, and pedestrians crossing at the same corner nearly a year later in Boston. (Photo by Charles Krupa/AP Photo)