Nothing says Halloween like a jack-o'-lantern, but these professional carvings will blow your neighborhood pumpkin out of the water. (Photo by Frank C. Grace/Courtesy Jack-O-Lantern Spectacular)

A Selkirk Rex cat is one of more than 400 breeds of cats being presented at the World Cat Federation two-day show in Dortmund, Germany, on April 21, 2013. (Photo by Frank Augstein/Associated Press)

A walker has left a handprint on a snow- covered tree trunk on Grosser Feldberg mountain in the Taunus mountain range, Germany, 16 January 2017. (Photo by Frank Rumpenhorst/DPA)

Carey Williams leaps into the icy waters of the Snake River for the 2022 Polar Plunge at the Hells Gate Marina on Saturday, January 1, 2022, in Clarkston, Wash. (Photo by August Frank/Lewiston Tribune via AP Photo)

Director Lars Von Trier attends the “Melancholia” photocall at the Palais des Festivals during the 64th Cannes Film Festival on May 18, 2011 in Cannes, France. (Photo by Pascal Le Segretain/Getty Images)

Aeronautics and Space engineer at France's Compagnie Maritime d'Expertises, or Comex, Arnaud Prost (C) meets with a jogger as he tests on the ground the “Gandolfi 2” underwater training suit for spacewalk, on January 20, 2016 in the calanques region (rocky inlets) of Marseille. The underwater training suit “Gandolfi 2”, developed with the European Space Agency (ESA), is designed for training astronauts underwater to simulate space gravity for the astronaut's extravehicular activities (EVAs). (Photo by Boris Horvat/AFP Photo)

American singer Michael Jackson (1958–2009) arrives at Heathrow Airport with his manager Frank DiLeo, on his Bad World Tour, 11th July 1988. (Photo by Dave Hogan/Getty Images)

“Woman with Umbrella in Rain” by Raimund von Stillfried. Artist: Kusakabe Kimbei (Japanese, 1841–1934), 1870s. Commercial photography studios in Meiji-era Japan were renowned for the subtlety and refinement of their coloring techniques. This hand-tinted image of a young woman caught in a heavy rainstorm achieved its naturalistic effect by knitting together multiple strands of artifice: the greenery in the foreground was a studio prop; the flaps of the kimono were suspended by thin wires to create the impression of a strong wind; and long, diagonal marks were made on the negative to suggest streaks of rain. (Photo courtesy of The Metropolitan Museum of Art)