An isolated five-floor building stands in the middle of a new road on November 22, 2012 in Wenling, Zhejiang Province of China. Zhejiang Province of China. 67-year-old Luo Baogen and his 65-year-old wife from Xiazhangyang village still live in the half-demolished residential building, because they are dissatisfied with the relocation compensation. The road, which leads to the Wenling Railway Station, has not been put into use. (Photo by China Foto Press)

A man demonstrates outside Republican presidential candidate Donald Trump's news conference at Trump Tower in New York, U.S., May 31, 2016. (Photo by Shannon Stapleton/Reuters)

Photographer John Maher, once the drummer with punk bank Buzzcocks, travelled to the Outer Hebrides to photograph abandoned crofters’ cottages – many of which, like this one, have seemingly been untouched since. Here: “Peat Fire”. Taken in March 2013 on the east coast of Harris. The fire is from muir-burning, when farmers burn off grasses and heather to improve grazing for their sheep. (Photo by John Maher/The Guardian)

A visitor poses inside a three story upside-down family sized house at the Huashan Creative Park in Taipei, Taiwan April 7, 2016. Over 300 square meters of floor space of the upside-down house, filled with home furnishings, was created by a group of Taiwanese architects at a total cost of around US$600,000 and took 2 months to complete, according to the organisers. (Photo by Tyrone Siu/Reuters)

In this March 29, 2016 photo, a man shoulders a coffin with the remains of a loved one who was slain more than two decades ago by Shining Path rebels, as he walks to the cemetery for a group burial service, in Ccano, a village in the Huanta area of Ayachcuo department, Peru. Presidential candidate Keiko Fujimori's base of support is in places like Ccano, where promises to build roads, clinics and schools recall her agronomist father’s own legacy of delivering aid to the long-overlooked countryside. (Photo by Rodrigo Abd/AP Photo)

For his Behind a Little House Project Italian photographer Manuel Cosentino found an unsuspecting muse: a tiny nondescript house on an unexceptional hill. He returned to photograph the small building from the exact same location for nearly two years in order to capture the dramatic changes in weather and light that utterly changed the scenery just beyond the horizon