The Slauerhoffbrug (English: Slauerhoff Bridge) is a fully automatic bascule bridge (aka tail bridge) in the city of Leeuwarden in the Netherlands. It uses two arms to swing a section of road in and out of place within the road itself. It is also known as the “Slauerhoffbrug ‘Flying’ Drawbridge”. A tail bridge can quickly and efficiently be raised and lowered from one pylon (instead of hinges). This quickly allows water traffic to pass while only briefly stalling road traffic. The deck is 15 m by 15 m. It is painted in yellow and blue, representative of Leeuwarden's flag and seal.

A fisherwoman repairs the fishing nets at a fishing port during the annual summer fishing ban, which covers the Bohai Sea, the Yellow Sea, the East China Sea, and the waters north of 12 degrees north latitude in the South China Sea, on June 8, 2022 in Wenling, Taizhou City, Zhejiang Province of China. (Photo by Liu Zhenqing/VCG via Getty Images)

1: Dubai's Burj Khalifa is the tallest building in the world, but perhaps not for long. Saudi Arabia has announced plans to build a 1 kilometer (3,280 foot) tower into the sky, to be named the Jeddah Tower, scheduled for completion in 2020. The Burj Khallifa currently stands at 2,716 ft. (Photo by Matthias Seifert/Reuters)

Participants pose as they take part in a bodybuilding and fitness event named “China Fit”, in Beijing, China, June 15, 2016. (Photo by Reuters/Stringer)

A general view of Hong Kong's business district is seen Thursday, August 1, 2013. (Photo by Vincent Yu/AP Photo)

A high temperature alerts were issued as a record-setting summer heat wave continued to bake most parts of south China. (Reuters)

Randy Scott Slavin's photography is surrealism based in reality. His work portrays land and cityscapes in a 360 degree view, a perspective closer to that of the human eye than a 2D photograph, he says. Slavin's "Alternate Perspectives" is a series of photographs of a single location or landmark pieced together to create a 360 degree perspective in a flat image. The results are whimsical, and occasionally eerie, scenes that reflect the portion and scale of Slavin's surroundings when he took the photo.