Hotel staff demonstrates “Lantern Dining Experience”, which enables diners to enjoy meals while protecting themselves against the spread of the coronavirus disease (COVID-19) at Hoshinoya Tokyo in Tokyo, Japan, February 2, 2022. The lantern-shaped transparent partitions are created by Japan’s traditional craftsman and guests staying at the hotel who pay 30,000 yen (about 260 USD) as venue charge can invite others to dine with them under the partitions. (Photo by Kim Kyung-Hoon/Reuters)

Low economic conditions in China’s urban areas have sparked an increase of beggars faking disabilities in an attempt to gain more money. Cities like Shanghai and Hong Kong are littered with naive tourists who are more than willing to hand over a few yen to anyone appearing to be handicapped in anyway.

Das Park Hotel was designed by Austrian architect and designer Andreas Strauss , and it is located in Linz, Austria. From inside, “rooms” have been humanized by Austrian artist Thomas Latzel Ochoa, who painted illustrations on walls. Hotel is open from May till October.

Employees wear "No-Face" masks during working hours at a service company in Handan, Hebei Province of China. As a service company, staff must smile to customers every day. On “No-Face Day”, staff wore masks to hide their facial expressions and allow them to relax. No-Face is a character in the 2001 animated movie “Spirited Away”, a silent masked creature who has no facial expressions.

It’s a tradition that dates back hundreds of years, where two stallions fight over a female to ring the Chinese new year. And when it’s the Year of the Horse, the fights are considered to be even more significant. They’re held in small villages across southern China and have been condemned by animal rights groups, including Hong-Kong based Animals Asia. But those who participate in the events defend the fights and insist they take care of the animals.

A year ago, we at HootSuite showed just how much we love Game of Thrones with our Social Media Winter is Coming infographic. The infographic was a visual representation of the quiet battles being fought between many social networks, who were building walls and blocking access between their respective sites and apps. That graphic was a hit with the social media community, so we knew we had to take things up a notch for this season’s premiere. Enter the Game of Social Thrones video.

Aslan Malik's series of defaced money and his take on the “Justice League” and the “Injustice League” using the photos of questionable leaders and reinventing them as superheroes or villains Aslan Malik is an artist currently based out of Berlin, Germany who paints, shoots photography, dabbles in graphic design, creates illustrations.