Australian artist Polixeni Papapetrou trends the line between fantasy/theatre, mythology/reality, archetype/play, male/female, child/adult and animal/human. As with all her work the series The Dreamkeepers tells a story that includes her autobiographical relationship with her children, but it also says a lot more about the condition of childhood - its place in our culture and how we react to images of children in photography.

“A very delicate person, beneath the flamboyance”. Jasper, Ladbroke Grove, 1977. “In the 1970s, Australia was rather cut off. I’d always wanted to live abroad, so I moved to Rome and then London. I was an art historian, but started studying photography part-time. I was interested in the demi-monde culture and began mixing in all sorts of circles. Jasper was a rather wonderful character...”. (Photo by Jane England)

I wanted to create the smoke effects on animals I used on some few of my female subjects.
The hardest part was that while there were only faces, here there was the whole body that needed to be “smokeified”.

These hilarious photos show some of nature’s mightiest animals — yawning away! (Actually – not always; AvaxNews). The images were taken by photographers across the world, from the African savannas to the Pacific Ocean. Here: Elephant Seal. (Photo by David Crocker/Caters News Agency)