A man enters an adult amusement establishment in Shinjuku's nightlife district of Kabukicho in Tokyo, August 27, 2015. (Photo by Thomas Peter/Reuters)

A woman visits oil on canvas paintings by Ayesha Sultana of the Experimenter gallery in 14th edition of Art Dubai at Dubai International Financial Centre, DIFC, which features 50 galleries from 31 countries with a focus on modern and contemporary art, in Dubai, United Arab Emirates, Tuesday, March 30, 2021. (Photo by Kamran Jebreili/AP Photo)

Associated Press photographer Wong Maye-E tries to get her North Korean subjects to open up as much as is possible in an authoritarian country with no tolerance for dissent and great distrust of foreigners. She has taken dozens of portraits of North Koreans over the past three years, often after breaking the ice by taking photos with an instant camera and sharing them. Her question for everyone she photographs: What is your motto? Their answers reflect both their varied lives and the government that looms incessantly over all of them. (Photo by Wong Maye-E/AP Photo)

Marco Antonio Eguchi of Brazil gets bucked off of Bottoms Up in the first round of the PBR Frontier Communications Iron Cowboy at AT& T Stadium on February 18, 2017 in Arlington, Texas. (Photo by Tom Pennington/Getty Images)

“A Mothers Tail”. A baby cub pulls on his mother's tail to get attention. Photo location: Masai Mara, Kenya. (Photo and caption by Tori Marsh/National Geographic Photo Contest)

Emma the Maltese's fur blows in the wind as she rides in her owner's purse on 5th Avenue at Central Park in New York December 2, 2014. (Photo by Carlo Allegri/Reuters)

A visitor looks at a sculpture by a Chinese artist Chen Wenling at the "Sculpture by the Sea" exhibition which runs along the Bondi to Tamarama coastal walk in Sydney on October 22, 2015. The world's largest annual free-to-the-public outdoor sculpture exhibition runs from October 22 – November 8 this year and features over 107 sculptures by artists around the world. (Photo by Saeed Khan/AFP Photo)

“Asaro from the Eastern Highlands”. The mudmen could not cover their faces with mud because the people of Papua New Guinea thought that the mud from the Asaro river was poisonous. So instead of covering their faces with this alleged poison, they made masks from pebbles that they heated and water from the waterfall, with unusual designs such as long or very short ears either going down to the chin or sticking up at the top, long joined eyebrows attached to the top of the ears, horns and sideways mouths. (Photo and caption by Jimmy Nelson)