Moroccan photographer and filmmaker Achraf Baznani carries on the traditions of Surrealism with his wild, imaginative, and wholly impractical imagery. Among his inventive scenarios, small human figures—often the artist himself—appear trapped within glass jars or the size of a camera lens; in other works, Baznani more or less dissects his body, as for example, in one, he cleanly removes his brain from his cranium, or in another, twists off his hand, much as if it were a light bulb. Imparted throughout such works are strong senses of humor and wonder, and as such, Baznani’s art offers a Surrealistic take on life experience in the digital age.

Amateur Iranian photographer Mohammad Reza Domiri Ganji, 23 likes to learn as much as he can about a site before he photographs it. Then he utilizes a variety of wide-angle and fisheye lenses, as well as occasional panoramic techniques to create beautiful new, often mind-bending images. He usually shoots the architectural wonders of Iran, and hopes that the Iranian government will allow him to travel further from home in pursuit of other iconic architectural treasures. Photo: The Nasir al-mulk or “Pink” mosque in Shiraz, Iran. (Photo by Mohammad Reza Domiri Ganj)

Some people use paper as their canvas for creating works of art, Patrik Bundeli, on the other hand, uses Ping-Pong balls. His steady hand turns simple white balls into elaborate cartoonish faces. Some of his works feature black and white gothic visages, while others have adorable little snouts. The latter ones would make a wonderful addition to any working place, putting smiles on everyone’s faces. (Photo by Patrik Bundeli)

Award-winning photographer Barry Lewis has been picturing the weird and wonderful late-night Glastonbury experience for more than a decade. Shangri-La is a festival of contemporary performing arts held each year at Glastonbury festival, and Barry Lewis has documented its denizens. Here: Spa in Slumbarave’s Hotel Metropolis, Shangri-La, Glastonbury, 2009. (Photo by Barry Lewis/The Guardian)

“A very delicate person, beneath the flamboyance”. Jasper, Ladbroke Grove, 1977. “In the 1970s, Australia was rather cut off. I’d always wanted to live abroad, so I moved to Rome and then London. I was an art historian, but started studying photography part-time. I was interested in the demi-monde culture and began mixing in all sorts of circles. Jasper was a rather wonderful character...”. (Photo by Jane England)