Korean War veteran Jon Sun Rye, 83 years old, walks after she paid respect to former leaders Kim Il-sung and Kim Jong-il at Mansu Hill in Pyongyang, North Korea, 15 April 2016. North Korea is marking the “Day of the Sun”, celebrating the day of birth of the country's founder, Kim Il-sung. The Day of the Sun is a national holiday. (Photo by Franck Robichon/EPA)

A woman wiper her eyes as she waits to pay her respects before the statues of late North Korean leaders Kim Il Sung and Kim Jong Il, as part of celebrations marking the anniversary of the birth of Kim Il Sung, known as the “Day of the Sun”, on Mansu hill in Pyongyang on April 15, 2019. (Photo by Ed Jones/AFP Photo)

The sun bear (Ursus malayanus), also known as the honey bear, is a bear found primarily in the tropical rainforest (the dense lowland forests) in Southeast Asia; North-East India, Bangladesh, Myanmar, Thailand, Laos, Cambodia, Vietnam, Southern China, Peninsular Malaysia, and the islands of Sumatra and Borneo.

These images show off some of the world's most majestic creatures silhouetted against the beautiful rising and setting sun. The vibrant pictures feature a variety of animals in the wild and were taken by a host of photographers at locations around the world. The striking images all have one thing in common: the photographers' awe-inspiring ability to perfectly capture the silhouettes of earth's beautiful creatures. Here: a blue wildebeest moves through grassland at dawn with the sun in the background in Mara Naboisho Conservancy, Kenya, Africa. (Photo by Renato Granieri/Caters News/Ardea)

Created by ceramic artist Mary O’Malley, who studied in Philadelphia and now resides in Long Island, New York, the Bottom Feeders series is particularly inspired by childhood memories and her newly familiar surroundings next to the sea. By combining the imagery of sea creatures with the elegance of tea time, O'Malley envisions a whimsical occasion worthy of such fictional characters a Davy Jones and Alice.

Born with a rare condition, the artist has chronicled her life in portraits – capturing everything from her tattooed prosthetics to the tentacled creature she stitched together on the shores of Naoshima. Here: Ophelia (2013). From a series of photos of imagined women exhibited at the 2013 Aichi Triennale. Here, Katayama invokes Hamlet’s tragic heroine, after the painting by British pre-Raphaelite John Everett Millais. (Photo by Mari Katayama/The Guardian)