Jorge, an immigrant from Mexico, dressed as the Sesame Street character Elmo rests in Times Square, New York July 29, 2014. Elmo and Cookie Monster have long delighted young viewers on TV's “Sesame Street”, but the recent antics of New York street performers dressed as the beloved characters have drawn the ire of city officials and now the show's producers. Sesame Workshop, which owns the rights to Big Bird, Ernie and the assorted puppet monsters on the 45-year-old program, said on July 29, 2014 it was drafting plans to stop performers who dress up as the characters from appearing in Times Square, where they pose for photos with tourists and then demand tips. (Photo by Eduardo Munoz/Reuters)

Monika Horčicová is a Czech sculptor/installation artist who constructs human skeletons with 3-D printing in a very surreal juxtaposition. Many of her structures presents itself through a repetitive cycling pattern as well as experimental evolved mutations.

The work of Kirby Sattler is fueled by an inherent interest in the Indigenous Peoples of the Earth. His current images evolve from the history, ceremony, mythology, and spirituality of the Native American

Paper cutouts of cartoon characters have evolved into a meme known as Paper Child with a community on deviantART by the name of #paperchildREVOLUTION dedicated to the craft.

“By 1969, the fashion choices of tens of millions of young American men and women were as variegated and ever-evolving as the world around them. Cultural transformation was an irresistible force during the Sixties, and across America and around the globe civil rights, women’s and gay liberation, the sexual revolution and, of course, the explosive soundtrack of R&B, soul and rock and roll informed everything from politics to fashion”. – LIFE. Photo: Corona del Mar High School students Kim Robertson, Pat Auvenshine and Pam Pepin wear “hippie” fashions, 1969. (Photo by Arthur Schatz/Time & Life Pictures)

In this April 18, 2019 photo, tattoo artist Lalo Calva inks a tattoo on client Adrian Alonso Rodriguez, a journalist, announcer and dubbing artist, at the Corona Tattoo parlor in Mexico City. Not only inks and techniques have changed in Mexico over the years, but tattoos themselves have evolved from stigmatized symbols of gangs, violence and poverty to an art form. (Photo by Marco Ugarte/AP Photo)