Geology Professor Fetullah Arik takes measurements next to a large sinkhole on June 03, 2021, in Karapinar, Turkey. In Turkey’s Konya province, the heart of the country's agriculture sector, extreme drought conditions over the past two years are taking a heavy toll on farmers and the land. (Photo by Chris McGrath/Getty Images)

An employee works on a glass sphere for Christmas and New Year decoration at the “Biryusinka” toy factory, which has been producing decorations and toys for the festive season since 1942, in the Siberian city of Krasnoyarsk, Russia, November 16, 2016. (Photo by Ilya Naymushin/Reuters)

A copper plated Oscar statuette is run through a series of chemical baths at Epner Technology in the Brooklyn borough of New York, Tuesday, January 17, 2017. Every Oscar fist-pumped or tearfully cradled by Academy Award winners is first cast, buffed and fussed over by people far from Hollywood who have spent the last several months making 60 identical gold Oscars for the Feb. 26th awards. (Photo by Seth Wenig/AP Photo)

In Omdurman, the largest city in Sudan, the Qadiriyya Sufi order meets every Friday outside Sheikh Hamed Al Nil mosque, which houses the tomb of their 19th century Sufi leader. (Photo by Ala Kheir, John Burns and Ibrahim Algrefwi/Brownbook)

People walk on a sightseeing platform in Zhangjiajie, Hunan Province, China, August 1, 2016. China has opened a 100-metre-long glass skywalk stretching around a cliff on the side of the Tianmen Mountain. The skywalk provides a view of a 300-metre drop and overlooks Tongtian Avenue, a mountain road with 99 turns that snakes up the mountain. When translated in English, it means “Avenue to the Sky”. (Photo by Reuters/Stringer)

Bonbibi, Treehouse Point, Fall City, WA. The Bonbibi is balanced on two steel yokes. The yokes spread out the load and allow for tree growth and movement in the wind. A small deck hangs from the beams below and uses the treehouse itself to shelter guests. (Photo by Pete Nelson)

Christopher Wheeldon’s Alice’s Adventures in Wonderland is the biggest production the Australian Ballet has ever undertaken and it’s also one of the most spectacular. Created for the Royal Ballet and designed by Bob Crowley, it involves puppetry, optical illusions, major setpieces and immersive projections, as well as costumes that some dancers have to actually climb into. Here: Ako Kondo as Alice, on stage September 11, 2017 in Melbourne, Australia. (Photo by Jeff Busby/The Guardian)

From stuffed elephants to picnics under power lines, Leipzig-born photographer Frank Herfort coaxes magical, colour-saturated tableaux from intriguing slices of everyday Russian life. Here: A lonely dog watches the mailboxes in a typical Moscow residential block. (Photo by by Frank Herfort/The Guardian)