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The mummy of Yuya thought by some to be Josua who, after Moses, led the Hebrews into the Promised land and logically would be the father-in-law of Amenophis III, at Cairo Museum, Egypt. (Photo by Patrick Landmann/Cairo Museum/Getty Images)
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22 Apr 2011 08:47:00
A woman poses for a photograph in front of a 3D painting at HK 3D Museum in Hong Kong June 26, 2014. (Photo by Tyrone Siu/Reuters)

A woman poses for a photograph in front of a 3D painting at HK 3D Museum in Hong Kong June 26, 2014. (Photo by Tyrone Siu/Reuters)
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28 Jun 2014 13:16:00
Visitors photograph an animatronic Tyrannosaurus Rex at the National Museum of Scotland, July 29, 2011. (Photo by David Moir/Reuters)

Visitors photograph an animatronic Tyrannosaurus Rex at the National Museum of Scotland, July 29, 2011. (Photo by David Moir/Reuters)
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12 Apr 2015 08:02:00
A tourist takes photographs of the Louvre Museum in Paris, France on July 3, 2022. (Photo by Benoit Tessier/Reuters)

A tourist takes photographs of the Louvre Museum in Paris, France on July 3, 2022. (Photo by Benoit Tessier/Reuters)
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25 Dec 2022 03:45:00
Writing about the Ambassador, the art critic Robert Melville said it was “the most daring and enterprising trade journal ever conceived … No other magazine … has so consistently and brilliantly demonstrated the relevance of works of art to the problems of industrial design”. Here: Shelagh Wilson, Copacabana beach, Rio de Janeiro, 1951. (Photo by Elsbeth Juda Archive/Victoria and Albert Museum)

“Grit and Glamour”, a retrospective of the late British photographer Elsbeth Juda, who fled Nazi occupation and came to England in 1933, is at the Jewish Museum, in London, until July 1, 2018. Here: Shelagh Wilson, Copacabana beach, Rio de Janeiro, 1951. (Photo by Elsbeth Juda Archive/Victoria and Albert Museum)
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31 Mar 2018 00:05:00
Viareggio in 1959. (Photo by Paolo Di Paolo/National Museum of 21st Century Arts)

The “Paolo Di Paolo: Lost World” exhibition presents more than 250 largely unseen images from the photographer’s archive. Di Paolo chronicled life in his country as an economic boom followed the destruction of the second world war. Although those were the years of la dolce vita he was an anti-paparazzo – he shunned the salacious and respected his subjects. The exhibition is at MAXXI, the National Museum of 21st Century Arts in Rome until 30 June. Here: Viareggio in 1959. (Photo by Paolo Di Paolo/National Museum of 21st Century Arts)
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01 May 2019 00:03:00
Cottbus Aviation Museum specialists prepare a Soviet Tupolev 134 A passenger plane for dismantlement in Gruenz, Germany, 10 July 2017. The team is preparing the 29 ton plane for transport from a garden in Gruenz to the Aviation Museum in Cottbus. The plane' s owner acquired it in 1991 and transported it with nine tractors and numerous helpers to his vegetable garden where he planned to open a cafe. The plane, formerly used by the East German Stasi for anti- terror operations training, is 30 metres long. (Photo by Jens Büttner/Zentralbild/DPA)

Cottbus Aviation Museum specialists prepare a Soviet Tupolev 134 A passenger plane for dismantlement in Gruenz, Germany, 10 July 2017. The team is preparing the 29 ton plane for transport from a garden in Gruenz to the Aviation Museum in Cottbus. The plane' s owner acquired it in 1991 and transported it with nine tractors and numerous helpers to his vegetable garden where he planned to open a cafe. The plane, formerly used by the East German Stasi for anti- terror operations training, is 30 metres long. (Photo by Jens Büttner/Zentralbild/DPA)
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12 Jul 2017 07:50:00
A museum employee views “Details of Renaissance Paintings (Sandro Botticelli, Birth of Venus, 1482)” by Andy Warhol at the Victoria and Albert museum in London, Britain, March 2, 2016.  The piece forms part of “Botticelli Reimagined”, an exhibition exploring the ways artists have responded to the artistic legacy of the fifteenth century artist Sandro Botticelli, and including over fifty artworks by Botticelli himself. (Photo by Toby Melville/Reuters)

A museum employee views “Details of Renaissance Paintings (Sandro Botticelli, Birth of Venus, 1482)” by Andy Warhol at the Victoria and Albert museum in London, Britain, March 2, 2016. The piece forms part of “Botticelli Reimagined”, an exhibition exploring the ways artists have responded to the artistic legacy of the fifteenth century artist Sandro Botticelli, and including over fifty artworks by Botticelli himself. (Photo by Toby Melville/Reuters)
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03 Mar 2016 11:08:00