Indigenous people march during the annual Free Earth camp, where they discuss rights, territorial protection and their role in COP30, which will take place for the first time in the Amazon, in Brasilia, Brazil, Tuesday, April 8, 2025. (Photo by Eraldo Peres/AP Photo)

A tourist cools off in front of a misting fan near a venue of the Hozuki-Ichi (Japanese lantern plant fair), at Sensoji temple, in Tokyo, Japan, on July 10, 2025. (Photo by Kim Kyung-Hoon/Reuters)

Four orphan barn owl chicks were found weak from hunger and thirst after their mother's death, are under treatment at the Dicle Wildlife Rescue and Rehabilitation Center before being released back into their natural habitat on September 23, 2025, in Diyarbakir, Turkiye. (Photo by Bestami Bodruk/Anadolu via Getty Images)

Two traditional folk dancers performing in Teheran, Iran. (Photo by Keystone Features/Getty Images). 25th January 1961

“Kids of Sapa”. Four little beautiful Hmong girls from Lao Chai Village, near Sapa, Vietnam. (Photo and caption by Felipe Hanower/National Geographic Traveler Photo Contest)

Soccer player David Beckham (C) with Cruz Beckham (L) and Romeo Beckham (R) get slimed onstage during Nickelodeon Kids' Choice Sports Awards 2014 at UCLA's Pauley Pavilion on July 17, 2014 in Los Angeles, California. (Photo by Kevin Winter/Getty Images)

The Smilovichi Felting Factory in Belarus was founded in 1928, when Smilovichi was a small Jewish settlement of craftsmen. Five of those craftsmen organized a small artel (a cooperative association of craftsmen who all live and work together), which produced warm boots called “valenki” for cold weather. Photo: Belarusian workers works at a felt boot factory in Smilovichi, some 35km from Minsk, Belarus, 16 January 2012. (Photo by Tatyana Zenkovich/EPA)

Wide-angle category winner. Part of the Illusion by Marcus Blatchford (UK). Location: National Dive & Activity Centre, Chepstow, Wales. “This is the deepest inland dive centre in the UK. The dive plan was to explore the deep end, but this time I dived ‘unplugged’ (without my strobes). With the exception of this change to my camera technique, there were no planned shots I wanted to achieve – just a fun dive with ad-hoc photos along the way. Shortly after this photo was captured, in 6C water and two hours of decompression ahead of us, we turned and started the long ascent back to the surface”. (Photo by Marcus Blatchford/Underwater Photographer of the Year 2016)