Lissy Elle is a Canadian photographer who creates mysterious and dreamy images through the use of props and photo manipulation. Full of woods, classic tales references, giant teacups and girls defying gravity, her work is both engaging and disturbing, it transports us to an oniric world, or is it a nightmare?

Burning Man 2013. The federal government issued a permit for 68,000 people from all over the world to gather at the sold out festival, which is celebrating its 27th year, to spend a week in the remote desert cut off from much of the outside world to experience art, music and the unique community that develops. (Photo by Neil Girling)

Scene of action: Bangkok, 2012. One city, one photographer (Seua Yai), and is a lot of beautiful Thai women. I recommend – very interestingly!

Be careful – MANY photos! (Photos by Seua Yai)

A girl allows a butterfly to be placed on her nose at the Sensational Butterflies exhibition at the Natural History Museum on April 6, 2011 in London, England. The exhibition is divided up into five sensory zones exploring how butterflies see, hear, taste, smell and touch. The display containing hundreds of butterflies runs from April 12 to September 11, 2011. (Photo by Peter Macdiarmid/Getty Images)

Russian participants adjust their hair, preparing for the Kremlin Cadet Ball in Moscow, Russia, 08 December 2016. Pupils of cadet schools from different parts in Russia gathered for the first Kremlin Ball, restoring an old tradition of Russian officers and noble girls. (Photo by Sergei Chirikov/EPA)

A poster by street artist Aaron Li-Hill as part of the "Brandalism" project is displayed at a bus stop in Paris, France, November 28, 2015, ahead of the United Nations COP21 Climate Change conference in Paris. Brandalism is a revolt against corporate control of the visual realm. Following on in the guerilla art traditions of the 20th Century and taking inspiration from Agitprop, Situationist and Street Art movements, the Brandalism project sees artists from around the world collaborate to challenge the authority and legitimacy of commercial images within public space and within our culture. (Photo by Benoit Tessier/Reuters)

In this Tuesday, July 14, 2015, photo, Phoe Thaw, center, a member of the White New Blood lethwei fighters club, a Myanmar traditional martial-arts club which practices a rough form of kickboxing, stretches during a practice session in their gym on a street in Oakalarpa, north of Yangon, Myanmar. Three of the club's members competed this summer on a stage a world away from the street gym: a mixed-martial-arts “One Championship” event broadcast globally on cable television networks, where fighters could receive $1,000 for each fight, according to coach Myint Zaw who started the traditional fighters' club 15 years ago. (Photo by Gemunu Amarasinghe/AP Photo)