While communism, collectivism, worms, dry rot and casual looting failed to destroy the majestic wooden churches of Russia, it may be ordinary neglect that finally does them in. Dwindled now to several hundred remaining examples, these glories of vernacular architecture lie scattered amid the vastness of the world’s largest country. Just over a decade ago, Richard Davies, a British architectural photographer, struck out on a mission to record the fragile and poetic structures. Austerely beautiful and haunting, “Wooden Churches: Traveling in the Russian North” (White Sea Publishing; $132) is the result. Covering thousands of miles, Mr. Davies described how he and the writer Matilda Moreton tracked down the survivors from among the thousands of onion-domed structures built after Prince Vladimir converted to Christianity in 988.

The photo project was done for the organization Fishlove and included some other U.K.-based celebrities posing in the buff with critters ranging from bass fish to sharks. Its goal is to raise awareness of how overfishing is destroying the oceans. The release of Gillian's nearly nude pic, which was snapped by French portrait photographer Denis Rouvre, is timed with a European Parliament vote on banning destructive forms of deep-sea fishing in the Northeast Atlantic. The Fishlove organization is trying to rally voters to sign a petition ending deep-sea trawling – which, according to scientists, is negatively impacting the fish population and their habits – and Gillian solicited signatures in a Twitter post. Photo: “Fish Love” Project by Photographer Denis Rouvre. Gillian Anderson. (Photo by Denis Rouvre)

“Pantsir-S1 (NATO reporting name SA-22 Greyhound) is a combined short to medium range surface-to-air missile and anti-aircraft artillery weapon system produced by KBP of Tula, Russia. The system is a further development of SA-19/SA-N-11 and represents the latest air defence technology by using phased-array radars for both target acquisition and tracking”. – Wikipedia

Photo: Test of the surface-to-air missile Pantsir-S rocket and gun system in the conditions of the Polar region on the range “Pemba” near Vorkuta, approximately on October 20 2012. According to the statement of military, during doctrines five cruise missiles from five were destroyed. (Photo by Alexey Reznichenko)

Members of a historical re-enactment group dressed as U.S. and Soviet Army soldiers take part in Elbe Day celebrations, in eastern German city of Torgau at the river Elbe, April 25, 2015. Elbe Day commemorates the encounter of the Allies 70 years ago, on the 25th of April 1945 when American and Soviet army units joined together on the destroyed bridge over the river Elbe. The photograph of the meaningful handshake made its way around the world and became a symbol of the near end of World War II in Europe. (Photo by Stefanie Loos/Reuters)

Palestinian girl Manar Al-Shinbari (R), 15, who lost her both legs by what medics said was Israeli shelling at a UN-run school where she was taking refuge during the 50-day war last summer, is helped by her sister to put on her headscarf in an apartment in Jabaliya refugee camp in the northern Gaza Strip January 13, 2015. Manar's mother and three of her brothers were killed in the same incident. The girl's family house was destroyed by Israeli shelling during the war. (Photo by Mohammed Salem/Reuters)

Wolfgang (L), member of World War One historical association “Darstellungsgruppe Suddeutsches Militar 1870-1918” (DSM 18), from Munich, Germany, and Florent, member of French association “Le Poilu de la Marne”, dressed in vintage army uniforms, visit the Bezonvaux bunker in the national forest of Verdun, eastern France, March 29, 2014. Members of French and German historical associations, who gather annually, together visited the battlefield of Verdun in France, the site of a bloody World War One battle that dragged on for around 10 months in 1916, claiming hundreds of thousands of lives and destroying many villages. (Photo by Charles Platiau/Reuters)

The brutalist war memorials found throughout the former Yugoslavia were weird enough when they were built in the 1960s and 70s. Today, separated by the end of an architectural movement and the disintegration of the country, they seem almost alien. Belgian photographer Jan Kempenaers treats them purely as artistic objects in his book, “Spomenik”, named for the Serb-Croat word for monument. Known for photographing geographical oddities, Kempenaers was captivated by the spomenik after seeing them in an art encyclopedia. After hearing that many had been destroyed or abandoned, he set out to record what was left. (Photo by Jan Kempenaers)

While communism, collectivism, worms, dry rot and casual looting failed to destroy the majestic wooden churches of Russia, it may be ordinary neglect that finally does them in. Dwindled now to several hundred remaining examples, these glories of vernacular architecture lie scattered amid the vastness of the world’s largest country. Just over a decade ago, Richard Davies, a British architectural photographer, struck out on a mission to record the fragile and poetic structures. Austerely beautiful and haunting, “Wooden Churches: Traveling in the Russian North” (White Sea Publishing; $132) is the result. Covering thousands of miles, Mr. Davies described how he and the writer Matilda Moreton tracked down the survivors from among the thousands of onion-domed structures built after Prince Vladimir converted to Christianity in 988.