Istanbul-based Ali Gulec is a graphic artist with a difference. His surreal illustrations are like identikit drawings aiming to prosecute the material arts. Working on the margins of what is possible with his medium, Gulec's forms, figures, and situations are remarkable for their clarity and strength of purpose, and maintain an iconographic intensity that would make any rock band bereft of an album cover salivate with admiration.

March 11, 2008 Swiss car manufacturer Rinspeed made quite the splash at the Geneva Motor Show with its innovative sQuba, a fully functional submersible concept car that cost $1.5 million to build. (Photo by Rinspeed)

A member of the musuem team attends to a Aston Martin DB5 used in the James Bond film Goldfinger and being displayed at the Bond In Motion exhibition at National Motor Museum on January 17, 2012 in Beaulieu, England. (Photo by Matt Cardy/Getty Images)

“Woman with Umbrella in Rain” by Raimund von Stillfried. Artist: Kusakabe Kimbei (Japanese, 1841–1934), 1870s. Commercial photography studios in Meiji-era Japan were renowned for the subtlety and refinement of their coloring techniques. This hand-tinted image of a young woman caught in a heavy rainstorm achieved its naturalistic effect by knitting together multiple strands of artifice: the greenery in the foreground was a studio prop; the flaps of the kimono were suspended by thin wires to create the impression of a strong wind; and long, diagonal marks were made on the negative to suggest streaks of rain. (Photo courtesy of The Metropolitan Museum of Art)

A boy sits on his father's shoulders to look at strawberries at the 7th International Strawberry Symposium on February 18, 2012 in Beijing, China. (Photo by Lintao Zhang/Getty Images)

The Eiffel Tour-the body language of balance. I came across this group of young adults from Sarajevo, Bosnia, having fun testing their balance two nights ago in on the Esplanade de Trocadero. (Photo and comment by Peter Turnley)

Photo: Vladimir Ilyich Lenin (1870 – 1924) lying in state in the Kremlin. (Photo by Hulton Archive/Getty Images). 1924

Important! For the same article in Russian language click here.

Something quite intriguing is happening within Russian-speaking internet during the last few – should you type a fully academic inquiry (at least, according to Russian academic requirements) in national search engines for "Lenin's mausoleum" – the first thing you get (even in top 10 searches) is website pages talking about black magic and occult. Website authors view this construction differently, but unconditionally agree on one thing: the mausoleum of the "leader of the world proletariat” – the essence of a magical artifact, a sort of “energy vampire”. It was built with a certain purpose: to drain the energy out of miserable Soviet citizens on one hand; and to poison the anthroposphere of one-sixth part of the earth with its vibes (the exact territory that was occupied by the former Soviet Union), depriving the Russian people of will to resist on the other hand. Complete nonsense? No doubt. Nevertheless, an intriguing one. Well, probably because some oddities do exist in mausoleum's history. These oddities are the thing we are going to discuss this time. First, let me refresh you memory on the subject.

In this Saturday, Oct. 24, 2015 photo, a Lebanese Shiite supporter of Hezbollah with a tattoo on his head that reads in Arabic, “Oh Ali”, beats his chest during the holy day of Ashoura, in the southern suburb of Beirut, Lebanon. A growing number of Shiite Muslims in Lebanon are getting tattoos with religious and other Shiite symbols since the civil war in neighboring Syria broke out five years ago, fanning sectarian flames across the region. (Photo by Hassan Ammar/AP Photo)